Iva Kraljević

A young woman’s connection with the life force of nature. Using her taxidermy talents to “return” the animals to their natural habitat. But the true search for answers begins when she finds a roll of undeveloped film in each of the animals that she treats.

On an intergalactic cruise for singles, lonely souls chase a kiss, a caress, or just a glimpse of love among the stars.

The wolves are returning to a barren region in the Croatian-Dalmatian hinterland. Though the tourist destinations of the Adriatic coast are less than half an hour away, people in the deserted villages of Bukovica believe that "Brussels" represents evil and flies the wolves over by helicopter. Ana, a dedicated veterinarian, attempts to refute these theories and engage with the people on the ground.

Two groups of citizens clash over the redesign of a children's playground.

On December 4, 2009, three hundred milk producers gathered in Zagreb to create pressure over their representatives’ talks with the Minister of Agriculture on the purchase price of milk.

Which image is real - the one staring at us from the mirror or the one standing in front of it? In hallways filled with illusions, a simulacrum behind the looking glass, he is trying to find out if he is looking at a stranger or a hidden part of himself.

Iva fights a loosing battle against her abusive mother who tries her hardest to control every aspect of the former's life. The way she sees it, there's only one way out of her continously deteriorating mental state: running.

Thirteen-year-old Hrvoje has a special talent – he is extremely good at getting into trouble...

The water reached up to our necks, and very soon, over our heads. The mountains became islands and the islands became hills in the darkness of the deep. The palms became sea anemones and the sea anemones remained what they were. The Wall Street was still full of sharks. Venice floated a while longer, and then… If a global catastrophe is a state of mind, then music is the raft.

During a routine morning walk in the forest, a hedgehog finds a luscious red apple and decides to bring it home, however, this causes a dispute between him and his squirrel neighbor who also has her sights set on the delicous red fruit, creating a rift within their friendship.

In a lush and lively forest lives a hedgehog. He is at once admired, respected and envied by the other animals. However, Hedgehog’s unwavering devotion to his home annoys and mystifies a quartet of insatiable beasts: a cunning fox, an angry wolf, a gluttonous bear and a muddy boar. Together, the haughty brutes march off towards Hedgehog’s home to see just what is so precious about this “castle, shiny and huge.” What they find amazes them and sparks a tense and prickly standoff.

In the “White Horse” café, waitress and guests apathetically go through their routines. Meanwhile, the reality surrounding them seems to destabilise more and more: between white noise and the sound of tuning forks, between daydreams of galloping knights and ever-growing mountains of drizzling packet sugar. Ivana Bošniak Volda and Thomas Johnson Volda pile up layers of these images and sounds, until they crack – and clear the way to breathe.

Every morning, Boris the village baker makes a fresh batch of crusty bread and pastries for all his neighbours until… Achoo! He can’t stop sneezing. He has become allergic to flour. How will he manage to keep baking for everyone in the village?

Fragments of memories from our grandparents take us back to a time when the world smelled of rivers, forests, and freshly fertilized fields. People were resilient, cows and horses were loyal companions, and children were full of curious freedom and inventive solutions, always ready to get up to mischief while working.

Zeljko is the labour union leader at Gredelj Train Factory. His deputy, Mladen, has committed suicide after massive public protests and inter-union clashes. Zeljko is torn between the guilt he feels over Mladen’s death and workers’ expectations that he will lead a strike that should thwart a plan by the government, acting on the EU’s behest, to declare the factory bankrupt. WHAT’S TO BE DONE? is structured in three acts. The first act uses observational documentary footage; the second, footage filmed a decade later; while the third is fiction.

The steak has been marinating for a few days now. The pan is heated. Franc's stomach is rumbling. But Liza's co-workers surprise her with a birthday party. Will she be home on time?

Yios, a lonely mythical boy whose head shines like the sun, struggles to make friends in the clouds. After an unfortunate prank sends him down to Earth, an unexpected encounter challenges the way he sees himself.

A young man is trying to hold his life and career together. He writes. When he learns that his wife is pregnant, everything collapses. He enters the dark space of his fears, where he is confronted by memories of his childhood. He needs to face the absence of his own father and embrace the pain. Only then he is ready to accept his newly born child and become a parent.

This is a film about confronted parallel memories of a village that brutally changed twice its name, population and its own history. The village that got trapped in a vicious circle of never ending traumas of the 20th century.

Nenad Vižin's violent death was the catalyst for a unique phenomenon in the history of ex-Yugoslavia: 300 citizens of Rijeka signed a petition asking the police and the communist party to take responsibility. The petitioners were submitted to accusations and prosecutions. Although the events surrounding the death itself remain a mystery, it left its mark on a whole generation in Rijeka and is still a part of the social fabric of the city. This film depicts the mechanism of fear as an integral part of political systems and portrays the unique artistic rebellion that occurred in Rijeka in the 1980s as a reaction to fear and powerlessness.

A living room. A place where the private space of a flat is on public display. Using memory, supposition and measurable architectural elements, the space of the living room is continuously constructed and reconstructed, and the action grows into an interpretation of past, present and possible events and relationships.

In Croatia in 2005, a machine tools factory was occupied by its workers. Since then, they have operated collectively, becoming the only successful example of a worker occupation in post-socialist Europe. Today, as they seek a new model of collective ownership, the microcosmic world of the factory clashes with the forces of the globalized market economy, having an increasingly brutal impact on wages and the organization of the factory, causing rising disaffection among the workers. Filmmaker Srđan Kovačević returns regularly over a five year period to make a film that charts the evolution of this communal enterprise. Factory to the Workers tells the inside story of the workers who challenged the dominant economic narrative with their actions. After a decade, the same question remains: can a factory in the hands of workers survive at the periphery of capitalism, or do we need a bigger dream?