Katherine Moran

After Kick-Ass' insane bravery inspires a new wave of self-made masked crusaders, he joins a patrol led by the Colonel Stars and Stripes. When these amateur superheroes are hunted down by Red Mist — reborn as The Mother Fucker — only the blade-wielding Hit-Girl can prevent their annihilation.

When eccentric young governess Winifred Notty arrives at a remote Gothic manor, a string of unsettling events leads the household to suspect she isn't who she claims to be—but the truth may be far more dangerous than they imagine.

After her father’s suicide, a young mother investigates what led to his death. But when she is haunted by spirits and unearths an unsolved mystery from 30 years ago, she discovers a dark family history that could prove deadly for her child.

An elderly Irish woman finds herself literally attached to her deceased husband. Their bond leads to increasingly grotesque events.

What begins as a business meeting between a novelist and her ‘for-hire’ public persona soon curdles into a western face-off.

Anna hasn't left her apartment since the pandemic. She's delighted in there, especially because she goes on great adventures with her imaginary friend Walter. Eventually, Nina, her best friend, drags her out of the house. Here Anna meets Zack, a germophobe, who runs around in a homemade Covid Hazmat suit. The rest of the movie is a very silly comedy about how two people who don't like getting close to humans, get close to each other.

Tooting Broadway is an urban crime drama set in 2009, whose South London location lends a gritty feel to a fast paced story that highlights a rarely seen gang culture.

Inspired by Shakespeare's Winter's Tale. What would you say, if you only ever got to play the bear? Part of an original sonnet trilogy discussing the nature of animal characters within Shakespeare's plays, their flaws, and how a feminine Gaze alters their narrative. Actors playing the parts of A Midsummer Night Dream's 'Lion', Two Gentlemen of Verona's 'Dog' and Winters Tale's 'Bear', take their seats in a confessional where they share their experiences with Willamina; a queer reimagining of Shakespeare who sits the other side of the gauze adorned with nipple tassles and elaborate ruff. Shown in three chapters, each chapter includes talking heads style investigations of the vibrant cartoon like characters, the presentation of their personal sonnet, and flash back sequences In anachronistic low brow locations.