Amal Omran

Palestinian-Syrian teenager Nasser and his older brother Yassin have been living in a Greek refugee camp, awaiting a decision on their asylum application. They pass the time recording comedy sketches, fantasizing of making zombie films and moving to Sweden. Nasser, however, feels increasingly trapped in this no-man’s-land. With nowhere to escape, Boiling tensions in the camp push Nasser to another world.

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

As far as one can remember, water has been dropping from this ceiling. One drop after another, slowly, like an ever-repeating dream that spreads all-over and changes the rhythm of life, creating a partition in-between the internal and the external. One camera for Nidal Debs, another for his hero Marwan, One camera shooting what the other sees. who makes the film?. Marwan lives in Damascus since a long time, since when refugees arrived and filled the city, since hardship was even harder. He & his friends lived those times when life was different, when dreams were bouncing in the streets. Something is happening today, the friends awaken as Ahmad passes away, a life-time of silence has passed, a life-time of frustration and loneliness must end, dreams are searching for a few minutes, for last moments, there is still a little time left. There is a new space today.

Husam is an Syrian soldier who visits his Family in Damascus on a 24hr leave.

In Texas, Mo straddles the line between two cultures, three languages and a pending asylum request while hustling to support his Palestinian family.