Kristin Kalamees

On a summer break, Mia and her friends try a meditation app that’s somehow related to the operating system of the Tallinn Zoo, changing the body chemistry of its users into something between pollen and cosmic dust. Mia will need to choose between saving her friends or joining them.

Children are left at grandma's house without their smartphones. Real life seems rather boring until they find instructions for the Kratt - a magical creature who will do whatever its master says. All they have to do now, is to buy a soul from the devil.

Unforgettable melodies, unique timbre and a memorable, soul-stirring voice. A mystery for women and authority for men, his talent was revered by the highest ranks of the Soviet Union and millions of ordinary people. Georg Ots took the stage when a huge country was recovering from the horrors of war, and his voice returned them faith in a bright future. Few people know what his life was really like.

A documentary about contemporary Estonian artist and feminist Mare Tralla, who started in the stormy 1990s as part of the so-called generation of winners. In addition to being a radical feminist, Mare Tralla is a hidden mother, lecturer, craftsman and designer, and on top of all that, she is also a person who has had to keep a very intimate and dark secret to herself from a very young age.

A teenage girl has problems with her family and life when her little brother is born with a heart problem.

Valdis returns after 20 years, his memory restored, but his hometown transformed. Despite the changes, his friends Märt and Ott guide him through rediscovering life's joys.

After being whacked on the head with a shovel, Valdis no longer shows interest in the things that used to make his life worthwhile: alcohol, techno, cars and fights. His friends desperately try to help him regain his memory, but nothing works.

Imagine a mix of Repo Man, Oliver! and Pinocchio and you're on the road to grasping the tone of this bizarre Estonian take on Aleksey Nikolayevich Tolstoy's character Buratino, a wooden boy (or boyus woodenus, as the doctors in the film refer to him). Buratino's virginal mother wishes upon a star for a son and is immediately answered by what can only be called a rape-splinter. The woman gives birth almost immediately to her little wooden Buratino.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.