Sharon Huang

A young American woman is sent by her parents to a cultural immersion program in Taipei where she begins a new journey of self-discovery and romance.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

Jin is in her 60s. Her husband gone, her concern is for daughter Zuer, in New York trying out IVF with her partner Michelle. When Jin receives news that Zuer and Michelle have died in an accident, she heads for NY. There, she has another shock: she has inherited Zuer’s embryo and it’s for her to decide its fate. Meanwhile, going to NY also forces Jin to face Emma, the daughter she gave up for adoption when she was 17.

A social media influencer's inability to draw a line between personal and public, has unexpectedly shocking consequences.

A Japanese boy returns to his late father’s hometown in Taiwan, where tea becomes the bridge between memory, grief, and newfound family.

Cheng-han and his three buddies grew up in dysfunctional and poor families without adults protecting them. One weekend, they meet Pin-ran, who is traveling alone. They have a great time together and Pin-ran joins their “Robinhood” activities and commits crimes: Theft and robberies. However, the boys soon realize that Pin-ran belongs to another world. Cheng-han discovers that he has feelings for Pin-ran. His buddies have other wishes and desires…

Yu-lan came to Taipei from southern Taiwan. She has got a successful career as a dancer. When her foster mother gets dementia, she has no choice but to retire and go back home. However, the trial and tribulation of her new life have reminded her of her childhood memories. During an argument with her mother’s foreign caretaker, the cause of her foster brother’s death and the secrets about her biological mother are gradually being revealed... As a woman of the advanced maternal age, Yu-lan has found herself unexpectedly pregnant with a baby. Following her heart, she has entered the circle of destiny. Departure means coming back, and her starting point is also her finish line. Is birth adjacent to or far away from death? Maybe at last, you’ll see that the shadow you met will be also the light to guide your life.

The Hotel Blackcat's owner, Mang, never leaves the counter. Guests include the immigrant worker, whore, losing-job Japanese, sex-abused man, little Lolita.... The police forces the Hotel to shut down and all guests must leave. What should they do? It's not necessary to lock each room anymore. Keep the door open, you'll find out traces imprinted with figures as well as times.