Helena Aleksandrova

A Pakistani man who moved to Helsinki to study game design starts working nights as a newspaper vendor because of his financial situation. During his work, his relationship with the doors he encounters at work deepens.

As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.