Gabriela Uassouf

In 2009, a man and two accomplices try to evict members of the Indigenous community of Chuschagasta in northern Argentina. Claiming ownership of the land and armed with guns, they kill the community’s leader, Javier Chocobar. The murder is caught on video. It takes nine years of protests before court proceedings are finally opened in 2018. During all this time, the killers remain free. The film combines the voices and photographs of the community with courtroom footage to explore the long history of colonialism and land dispossession that led to this crime.

Maia, Yenifer and Luciana begin working as caregivers for the elderly. The routine at the nursing home, very different from what they were used to, becomes challenging. But as their bond with the residents strengthens, they discover as trans women that they have much more in common with older people than they thought.

During the 2020 lockdown, Lucrecia Martel returns to her home in Salta, Argentina’s most conservative region. Here she follows Julieta Laso who, like a muse, introduces her to a group of female artists and defiant people who exchange glances and opinions around a fire.

Long hair would look good on him, but so would a moustache. This summer by the sea, the trans boy Lucho knows that there is a lot in him that is difficult to share with others.

Tristán is navigating his teenage years in an exceptional way: navigating his gender transition alongside his mum Virginia, his friends, his school and the Argentine State, whilst discovering his passion for drawing. But when the pressures of adulthood begin to mount and a shift in the political landscape threatens his rights, he is faced with a question: is it possible to be trans without suffering so much?