Rıdvan Karaman

Three theater students who are self-isolating at home during the COVID-19 pandemic record their daily lives on their cellphones. Students having an online meeting with their professor are rehearsing a play adapted for the stage from Decameron, which tells the story of a medieval plague. When a student's home becomes a stage, their lives become a play. The distinction between fiction and reality is becoming increasingly blurred. Life and drama merge in a new reality.

Waifs, homeless, derelicts, almsmen, others, forgettens, outcasts, unwanteds. The Hotel of Waifs; a temporary resting place far from home, an amusement in a pale fun fair, an enthusiastic trip on roundabout ways of soul.

Although they are in their early forties, twin brothers Tayfun and Taykan, who live in a nursing home, are passionately devoted to music. The twins, who call their musical group "Glassy Stares", isolate themselves from life and spend their time writing lyrics and composing. Glassy Stares; an ecstatic insight into the truth in the mists of schizophrenia; knotting the bond with reality with guitar strings; It is a story of brotherhood in which the subjects are mixed with praise and the transformation into music by going beyond making music.