Ibrahim Al-Harbi

Inspired by true events. A group of hijackers capture Kuwait Airways flight 422 and force it reroute, putting the lives of the passengers and the crew at risk

Here we have a real carsploitation epic from Kuwait. The police in Kuwait has a long experience chasing all kinds of criminals all over the country and no one can match the officers in speed driving on American cars. There are plenty of car crashes in this film in the spirit of quintessential American carsploitation films from the 1970s.

Set in the Najd region in Saudi Arabia in the 1950s; the story follows a girl called Najd who falls in love with her neighbor, but her father forces her to marry his boss despite the age gap between them.

Qannas Khaitan is a Kuwaiti comedy play highlighting the challenges faced by expatriates and locals in Khaitan district. Residents unite to form a council to stand against exploitative landlords, sparking humorous clashes and character-driven moments.

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

The events take place in a fantasy framework around a disassembled family whose members only care about money, a creature from the planet Mercury comes to it that meets the requests of each individual for the family individually on the condition that he is repaired and his family is circled to become an ideal family to follow.

The events of the play take place in a singles’ house inhabited by dozens of people of different nationalities, and it sheds light on the solutions to the problems, concerns and suffering of singles in Kuwait in general, whether they are expatriates or citizens, in a purposeful critical comedic framework. It also alerts the competent authorities in the country to a number of illegal violations and transgressions and presents Some positive solutions to this problem that society suffers from before the state.

A devastating car accident unearths a long-buried secret that turns wealthy businessman Rashid and hardworking Nahla's life around; fifteen years ago, their daughters were switched at birth.

Laila lives with her mother in London. After she spends her life wondering about her father whom she has never seen, her mother's death leads to the discovery of important papers that reveal a shocking truth about her father and what he did to her mother's family.

In 1970s Kuwait, the blind but fearless Wedad stitches by day and sings behind the veil by night. When tragedy strikes her sister, survival becomes a quest for justice. Huda Hussain leads in a transformative role.

The series revolves around the father “Adam” and his seven daughters, who raised them alone after his wife “Karima” left him because she wanted to marry a rich person, so he struggled to raise them alone with his extreme poverty.

After returning home, Talal is pulled into a dark psychological journey where the lines between guilt, desire and his own disturbing impulses begin to blur. As buried feelings connected to a past love resurface, the darkness inside him grows stronger. Talal is forced to confront a terrifying question: can he free himself from his past, or will it consume him completely?

I Will Not Ask for Divorce is a Kuwaiti series that revolves around a case, based on a question, which is: who asks for divorce, the man or the woman, and sheds light on the relationship between the woman and the man, and the problems that stand in the way of marital happiness until the matter reaches between them an emotional divorce and isolation, but both of them refuse to ask Divorce, for fear that he will give up his material rights.

In the framework of the social drama, the events of the series revolve around Noura, who sacrifices for her brother Faisal, and enters prison instead of him in a drug case, and when she serves the punishment and comes out, she is surprised by Faisal's repudiation of her, threatening to expose his matter if he does not compensate her the years of imprisonment.

The Walls is a 1983 Kuwaiti drama about two close friends facing contrasting family struggles. One is forced into marriage by her father, losing her mother’s support, while the other fears losing her father’s love when he remarries. The series explores themes of forced marriage and family breakdown with realistic storytelling and strong performances.

The series presents in a political context and boldly many topics, foremost of which is the subject of the election through a tragic treatment surrounded by the comedy of the situation from all sides.

The series talks about a family consisting of a father, a mother, and their children, and the daily life problems and comic paradoxes they face.

A family flees destruction during the Iraqi invasion of Kuwait and accidentally loses their daughter. However, the girl is found by a woman who decides to take care of her and raise her. Years later, the girl meets her biological family and tries to reconnect with them.

Kuwait Series Drama

Living under Ottoman rule, the series sheds light on the challenges and hardships they face, from a complex conflict between them and the occupiers in an eventful time period ranging from the 18th to the 19th century

Jassem Al-Tandeel, once a wealthy and respected merchant, suffers a severe blow when a devastating fire sinks his trading vessel, claiming the lives of his crew and wiping out his fortune. As he struggles to rebuild, ruthless rival merchants seize the opportunity to tarnish his reputation and break his spirit. Despite relentless adversity, Jassem faces these challenges to restore his standing and honor in society.

The series deals with what happens in the lives of five sister girls, especially with Father Saud, who seeks to have a son bearing his name and marries another woman, and their mother, who dies after giving birth to her fifth daughter.

The events revolve around the grandmother (Hababa), who tells her granddaughter Lulwa and Nadia every day a story from the stories of the Thousand and One Nights, so that the scenes follow between the grandmother and the events of the story she tells, and the stories shed light on human values and social issues.

A traditional comedy series, which deals with the memoirs of Juha and his son, the poet Ajib, their adventures in trade, and their passage in funny situations that expose them to embarrassment, their determination and their efforts to earn the sustenance of their day and to satisfy Juha's wife, the greedy.

In a social drama context, the work deals with the story of Faisal, who suddenly moves to the luxury class, when one of the businessmen takes him as as a cater to practice his business, and they agreed that Faisal is the bond and protection, and the relationship between them continued until this man decided to get rid of Faisal and the events.

The series discusses the relationship of people to each other, and influenced by the words of those around them, especially with regard to the rumors that are spread.

Sharifa raises her daughters after the death of her husband, assumes their responsibility, helps solve their problems until they marry, and refuses to marry her cousin to please her daughters.

A girl named Haya, the angels represent her personality, and despite her disability, she defies all circumstances and insists on confronting them, especially her uncle Mubarak, who left her in the care of her stepfather Abdulrahman.

Nadia seeks to catch a rich husband and trap him in any way, so she tries to get close to Ziad, then his brother Essam, and finally she marries their father, Saleh, without any of them knowing about her relationship with the other. Things develop when Saleh learns about the matter and what Nadia seeks.