Constantin Jopeck

It is a walk to the desert. The walk of a young Guinean boy arrived in France at the end of 2016. His voice, his words have something in common with some of the Scriptures’ verses. They dialogue through the silent body of a woman who grieves a biblical and contemporary loss. On the ground and on the wall, a luminous print of a virtual space: a window crossed by a beam of sunlight. Considered a physical phenomenon as much as a metaphysical concern, this rectangle of light contradicts the properties of a functional lighting, causing a limited and partial coincidence between light and sculpture.

Composed of serious and funny musical scenes, an exploration of the virtues of translation and desire for communication between humans and birds. Told by a narrator from the future, after the sixth mass extinction, an observation of the attempts made to establish a possible exchange.

A polyphonic narrator – filmmaker, parent, forest, insects, fungi, childcare worker – declares their absolute refusal of labor exploitation, and their necessity to join collective bodies in resistance.

The Craeria probe lands on a chalk asteroid, where all the traces of time are still visible, where all the dimensions of the landscape are to be imagined and retraced. Photogrammetry will allow us to establish perimeters, to bring back to our sight the immeasurable dimensions of an unknown porous horizon. An archaeology of the white stone beach begins...

Early/alternate edit of what became the final sequence of the film I'll See You Again.

A group of artists settle in a swamp on the banks of the Indre River. Meanwhile, a voice describes a utopian world.