Chieko Iinuma

Acting

Chieko Iinuma

Born September 8, 1979 · Japan (age 46)

No biography available.

Known For

For Those We LoveFor Those We Love · 2007
For Those We Love
6.22007
MovieWarDrama
In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.
Red FingerRed Finger · 2011
Red Finger
6.72011
MovieCrimeMystery
A 7 years girl is found dead in the local park’s toilet. Kaga Kyouichiro, who was asked to find the girl, and his cousin Matsumiya Shuhei who’s assigned to investigate the murder case, have to work together to crack the case. Their evidence lead them to Maehara’s, a family with parents, a son and a senile grandmother.
Sakura no OyakodonSakura no Oyakodon · 2017
Sakura no Oyakodon
7.02017
SeriesDrama
Sakura runs a secondhand bookstore in Tokyo with a hidden "meeting place" where those in need can gather, share their stories, and enjoy a free meal. Offering comfort and support, Sakura creates a space for healing and connection.

Filmography

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For Those We LoveFor Those We Love · 2007
For Those We Love
6.22007
MovieWarDrama
In 1943, as Japan's WWII effort falters, a vice-admiral proposes training squadrons of "volunteer" flyers to crash their armed planes into Allied warships. Yarn follows the lives of kamikaze pilots, as remembered by an aging Kyushu restaurateur who cherishes their memory. Honoring the dead and multiple military anthems may stir the soul of some Japanese, but elsewhere auds will make a one-way trip for exits. Battle scenes are well-executed and script delivers some memorable scenes, but overall competent helming and thesping are powerless over writer-cum-Tokyo governor Shintaro Ishiara's repetitive storytelling. A post-war postscript adds considerable length to an already over-extended narrative. Tech credits are good quality.