W. Ray Johnston

A good example of the clever light comedy Thanhouser produced for its Falstaff label, while other studios cranked out broad slapstick comedies. Harry Benham and Mignon Anderson were versatile and popular Thanhouser stars, here showing considerable skill in light comedy, a genre that invites plenty of satirical social observation such as the burgeoning beauty-salon industry here. Cinema technique shows much more intricate editing and freer use of closeups than just a year or two earlier.

Our Mutual Girl was unique. Not quite a serial, not quite a newsreel and not strictly an advertisement, it combined elements of all three. In 52 weekly one-reel episodes, running from January 19, 1914 to January 11, 1915, the Mutual Girl outwitted villains, saw the sights of New York, met with theatrical and political celebrities (who frequently helped her out of trouble) and tried on fashionable outfits in chic stores. The fashions were an early example of product placement, although apparently not paid placement.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

Trooper 77 is a 1926 American silent serial directed by Duke Worne.

Cowboy Jack Horton searches for the killer of his father and brother, both of whom were found with an ace of clubs pinned to their bodies.

Outlaw trio joins wagon train, planning to rob it.

Alice Dunn kills the man who seduced her younger sister and drove her to her death. Charged with murder, she stands trial in a sensational courtroom case that climaxes with her acquittal by the jury.

While Scotty McTavish is driving around his his big automobile, he sees a very pretty girl enter his father's railroad yards and falls in love at first sight. He borrows some blue overalls, gets by the gate-man and applies to the yard-foreman, "Slugger" Martin for a job. Scotty tells Martin his main objective is to meet the girl. The girl is Patsy Thorne, daughter of the yardmaster, and also the apple of Martin's eye. Martin also is more than a little bit crooked and he makes things very complicated before Scotty and Patsy can get together.

A silent film from the end of the silent era.

A freight train loses control and is barreling wildly toward the town of Benbow. A mail train is traveling in the opposite direction on the exact same set of tracks. The Midnight Limited, A passenger train carrying 300 people—including the dispatcher’s own sweetheart—is running on a parallel track. The dispatcher's desperate attempts to avert a catastrophic disaster as all three trains converge at the same point simultaneously fuels the narrative.

Young New York playboy Stephen Winthrop inherits the entire estate of his wealthy Canadian uncle but pays scant attention to it, preferring the "party" life in New York. He is unaware that the family attorney, Frank Garson, has forbidden hunting on the Winthrop lands in Canada, cutting off the livelihoods of the local villagers. Mary Cartier, goddaughter of the village priest, travels to New York to try to get Stephen to change the policy. He returns with her to Canada, sees what's going on, and lifts the ban, then decides to stay in Canada. Mary returns to New York to try to help Garson's abandoned and ill wife and child, but the wife dies, and Mary brings back the small child to Canada. The villagers, mistaking the child for Mary's, are outraged at this "scarlet woman" flaunting her illegitimate child and attempt to drive her out. Complications ensue.

A press agent helps a honky tonk spot draw a new elite patronage but a troublemaker arrives on the scene as well and disrupts the romance between the male and female stars.

Jack Carter rides into Nevada and finds himself caught between a local family feud and a dangerous outlaw gang. As he earns the trust of the Watkins family, Carter must confront Luke Baldridge and fight to bring justice to a lawless town.

In this horse racing drama, a young man relies on The Kentucky Handicap, a high-stakes race, as he strives for victory against personal or financial odds!

Jack Lanning defies his father by becoming a prizefighter. Although he is successful, Jack is exiled to Texas by his father. There he falls in love with Jenny Jenkins, a pretty girl whose widowed aunt has fallen in love with Jack. Jack helps the widow recover her ranch payroll, stolen by outlaws, and tries to find a way to marry Jenny without causing trouble with her aunt.

When he goes to war, Theodore Pendergast is a snob. When he returns from the trenches of France, he is a democrat whose best friend is Butch McGuire, an ex-prizefighter and regular guy. Ted (as he is now called) takes Butch home with him to meet his father, and the old gentleman immediately has Ted committed to a sanitarium.

Racing driver Jack Harlowe falls in love with Helen Drake, the daughter of his father's rival automobile manufacturer. Having promised his father to drive in the big race, Howes must refuse the girl's request that he drive for her father, but when he learns that another man (who has his eye on the girl) plans to drive for her father and throw the race, Howes receives parental permission to win the race for the rival.

A stand-off of pride between two families. One family has a pyromaniac in it, while the other, a member of law enforcement. When a detective and friend are killed by the bad boy of the other family, the double-murder is avenged by the father.

Ranch owner Tex McCloud is convinced there is oil under his property and brings in a drilling rig and equipment to drill for it. But a gang who wants the property wage a sabotage and theft war against him.

A young American arrives in Valdonia to collect a debt which the kingdom owes to his millionaire father. He impersonates a Valdonian prince for a day and wins the love of Princess Iris, the queen of the kingdom.