Pep Ferrer

Alice Gould, a private investigator, pretends to be mentally ill in order to enter a psychiatric hospital and gather evidence for the case she is working on: the death of a patient in unclear circumstances.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

Based on a true story, in late 1970s Barcelona, Manolo Vital, a bus driver, takes bold action to protest the neglect of Torre Baró, an immigrant neighborhood. His act becomes a symbol of resistance against systemic inequality during a pivotal moment in the city’s modern transformation.

A black and white silent movie, based on the Snow White fairy tale, that is set in a romantic version of 1920s Seville and centered on a female bullfighter.

In 1945, at the end of World War II, Neus Català returns to France, where she recalls her life under the Nazi yoke.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

A touching drama about a gay man who, following the death of his partner, moves into a nursing home.