Dalia Al-Nasser

A seemingly ordinary life is shattered when a woman uncovers a hidden truth about her husband, plunging her into a high-stakes international conflict. As loyalties blur and danger escalates, an Egyptian intelligence officer is tasked with a critical mission where failure is not an option.

10 filmmakers provide 10 separate stories focusing on the 18 days of the 2011 Egyptian revolution. Ten stories they have experienced, heard, or imagined.

Mansour El-Hefny’s wealthy family rule an Upper Egyptian island. Some police officers facilite their arms dealing in exchange for information, and corrupt parliament members use their immunity to par-take in their drug trade.

A sequel to The Treasure (Part 1) - Reality & Fantasy (2017) The movie resumes with the stories of Hatsheput in the Pharaonic era, Ali al-Zaibaq during the Ottoman era and Beshr al-Katatini, head of State Security Investigations Service, who faces new challenges in work and love, whilst pointing his son, Hassan, towards a treasure through his recorded will.

Three friends from Alexandria singing in the popular Wedding accuse someone of murder and trying to prove his innocence in order to be able to marry his fiancee.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

The story follows a poor government employee who lands in a lot of trouble because of his father's profession, while he falls for a girl who tries to help him solve his problems.

After a terrorist church bombing in Tanta, the body of an employee at Al Pasha Women's Beauty Centre, Nadia, is discovered. The center owner, Nour Al Pasha, and female workers are in trouble about the need to cover up the incident, which is mostly a suicide, in order to preserve the center's reputation amidst intense competition. While Al Pasha tries to obtain a burial permit unofficially and illegally, the workers get involved in trying to find a way to wash Nadia for burial secretly. Nevertheless, they face multiple successive difficulties. Hence, each one of them recalls her relationship with Nadia. They confront their realities and actions, as well as what Al Pasha represents in their extremely harsh and unpredictable lives.

Following the events of the first part, Mansour Al-Hefni escapes from prison and reunites with his son Ali and brother to return to the island to recover what they have lost. Mansour must stand against his old love Karima while the leader of the travelers tribe Sheikh Jaafar enters the conflict for rulership

Seeking a change, history teacher Allam transfers to a school in the desert, but his new life comes with more obstacles than he bargained for.

During the Gulf War, Fatma works as a maid for a wealthy man, and her son Mohammed is suffering from oppression by his teacher Mansour, who's having an affair with Fatima, taking advantage of her difficult circumstances. Mohammad gets drawn to extremist religious world led by Sheikh Khalid.

Set in the 70's, A middle-aged man, Adel is raised by his strict grandfather who he was deeply inspired by. he met his first love, Nadia who later became his wife and the mother of his son. After this, a chain of events lead to Adel committing many crimes, which are investigated by Amgad Al Husseiny and later, a series of surprises are revealed.

Batta and Wezza are two siblings living with their aunt Faransa at a local neighborhood as the latter works as a hired mourner. Batta accepts to pursue the same career as her aunt, under one condition: to keep Wezza away from all the mourning and the weeping and let her continue her studies.

The film displays the life of legendary singer(Abd Alhalim Hafez) in various stages. Depicting many sides of his artistic and personal life since his early childhood.

In the poor island of Dahab, a deprived young-man takes the drug dealing road to support himself. Gaining wealth and power, he's now in a dilemma with his old poor friend who wants to meet the basic needs and marry the love of his life.

Kamal is a porter in a hotel who he loves the secretary Dalal. They lie to each other, pretending to be rich, but they discover the truth after they get married. They look for a rich father, till they find a millionaire who accepts them as his son and daughter, without knowing that they're married.

A mesh between moving image and material practice underscore a mapping, witnessing, sensing and ethnographic practice through which the governing forces along this territory would unfold. Fabrics are dyed using natural dyes extracted from the river’s ecology, using the river itself to abstract the fabrics, shown alongside a filmwork following the drive towards the Wazzani River. The alterations that are now embedded in the evolving process of the land and are exacted on it by the different outwardly interferences, position the environment in an elsewhere realm, in between opposing spaces, occupied by military surveillance and concrete animosity. It becomes an absent witness, or a witness of absence, around which culminates secrecy.

The Mandoah family leads a humble life, with the mother, Safia, bringing up her children after the death of her husband. Her husband has left a piece of land in Ismailia that turns out to be part of the planned area for the Suez Canal project, which causes the price of the land to skyrocket to 300 million pounds. They each find themselves owning millions in the blink of an eye. What will come next?

Yaqut, a father, leaves his wife and kids and disappears for 20 years. The Devil, Wanoos, then visits his family, pretending to be their father's friend, and tells them that he and their father have made millions. A conflict between the children and their mother ensues, and they need to choose between going back to their father and his money, or keeping things the way they are.

A mother's journey in search for her son's murderer. The story unfolds between the past, present and even nightmares which gives subtle clues and hints to guide the mother to the murderer.

As Rashid prepares to remarry after the death of his first wife, he finds himself imprisoned for a crime he did not commit, so he sets out to prove his innocence, find his son, and take revenge on all those who harmed him.