Stella Galazzi

Delfina returns from New York to a small riverside town in the province of Buenos Aires. There she visits a tomb of an older woman and one of a younger woman, named Julia, who is identical to her.

Ana, a young orphan moves to the house in the forest where her only friend lives. The ambition of her friend's father to take over the nearby lands will awaken an old pagan cult that will use Ana as their only option to protect the place.

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

Eloísa is an elderly woman and a widow who runs a children's soup kitchen with her friend. Juan, his grandson, lacks the presence of his parents, uses cocaine, steals money from his family, his sister suffers from eating disorders and became obsessed with his neighbor across the street, Inés, whom he harasses on the phone.

David Alfaro Siqueiros, recognized Mexican muralist, travels to Argentina in the thirties with the purpose of giving a few conferences and paint a mural of revolutionary subject matter, which faces local political rejection. The press mogul head of the newspaper Critica, Natalio Botana, personal friend to the President of the Nation Agustín P. Justo, propose Siqueiros to collaborate in the cultural supplement of the diary and paint a mural in the basement of his Villa Los Granados. Siqueiros accepts and does that his wife the poet Blanca Luz Brum meets him, his arrival to Los Granados and his romance with Botana provokes the jealousies of his powerful anarchist wife Salvadora Medina Onrubia and Siqueiros himself, which turns the Villa almost in one of the scenes of the Ejercicio Plástico, how Siqueiros named his work.

A teaching assistant at a private Buenos Aires school begins obsessively spying on her students in the early 1980s, as the public rises up against the military dictatorship.