Apratim Chatterjee

Mrinal Sen is in his early days around the time of India’s independence, where he is a struggling idealist with an all-consuming hunger for cinema but unable to feed himself or his young wife, to 1950s Calcutta, where (alongside Satyajit Ray) he helped start the Indian New Wave cinema movement.

A young filmmaker prepares for the debut of his first feature film.

On the eve of Independence, the chairman of the Border Commission, Sir Cyril Radcliffe decides to divide India and Pakistan into equitable halves. What the administration doesn’t account for is the line running through the middle of Begum Jaan’s brothel situated plonk on the border; with one half falling in India and the other in Pakistan.

A group of "friends" and "misfits", who had formed a popular yet short-lived youth theatre group, reunite for the first time after seven years on an eventful Durga Pujo night at their old rehearsal space, a bungalow which is about to be converted into Kolkata's first five-star heritage hotel by the Ganges.

To please his dying daughter, a father tries to create the Durga Puja festival, usually held in October, during the month of April, in Kolkata.

The story aims to throw light on the real essence of friendship where age can’t be a boundary. It’s a refreshing tale of a young and hot fashion designer aunt Titli (Mimi Chakraborty) and her school going mischievous niece Mini (Ayanna Chatterjee).

Dr. Somshankar Roy, a social scientist, engages Swagato and Anwesha to create 'mock' crisis on the streets. The aim was to observe reactions of people to different forms of crisis happening around them, and to analyse and derive conclusions about human behaviour from them. But all theories and deductions go astray when they come face to face with a real crisis in their own lives and cannot decipher whether the crisis is MOCK or REAL.

A reclusive yet short-tempered man, takes a stand against the inhumane treatment of the outcast Indian stray dogs. His journey leads him to confront a massive dog trafficking racket, advocating for the rights and protection of these voiceless creatures.

Kirtan is the story of a father-in-law and daughter-in-law who disagree about leaving their ancestral home and shifting into a new apartment.

Mishti, a housewife, is constantly ignored by her husband and children. And Cheeni is full of life and has big dreams. When the path between Mishti and Cheeni collides, they embark on a journey of self-discovery together.

Mainak Bhaumik’s latest film.

Abinash, his son Arup, and daughter-in-law Monimala continue their constant bickering even after shifting to a new flat, with Arup endlessly stuck between them. When circumstances force them to find another home, Abinash revisits their old house only to discover a tenant now lives there. What follows is a chain of hilarious misunderstandings and escalating family drama, leaving their future up in the air.

An old, single man leads a retired and lonely life but enjoys it as much as possible. Everything changes when he receives a wrong number phone call, creating a window into the lives of a girl and her live-in partner.

Patro has entrusted his house to Timi and Parama before leaving for Dallas. But a series of misadventures follow as they start living there.

Dilkhush follows the story of eight individuals who find themselves in the loop of urban melancholy. Discovering love with the help of AI makes their ordinary lives extraordinary.

Once, the Chakrabortys of Manikpur were a thriving family of 34, united in laughter, meals, and the grand celebration of Raas. In the 90s, Rajat left for Kolkata to chase his ambitions, leaving behind his wife Annapurna and son Somnath. Raised among his cousins, Somnath grew closer to his grandmother than his mother. When he was twelve, Annapurna succumbed to a terminal illness. Rajat, unaware until his return, was consumed by anger and left Manikpur with his son, vowing never to return.

A child's play.

Shot in Nainital.