Sofía Corral

Four robber drag queens take an old-fashioned man hostage. His name is Juan Carlos, a shy and conservative-looking man. The trip by car will be a discovery for Juan Carlos.

A long-absent father, exiled by the Spanish Civil War, announces his return in a letter that unsettles the fragile bond between mother and daughter — stirring reflections on freedom, fear, and love as they await his arrival.

Ana returns to the village in summer with the intention of setting up a cinema in the courtyard of an old family house. One day she is working on her project and meets Lucía, an old acquaintance. She hasn't seen her for years but quickly starts to help Ana to make the cinema work properly. The screenings begin as the relationship between Ana and Lucia grows closer. Ana is worried about feeling integrated in the village, while Lucía suggests filming the different neighbours with her video camera so that they can appear in the screenings. The summer goes on and the village is emptying of people, while Ana and Lucía continue filming funny scenes. Soon it will be time for Lucia to leave the village and return to her life in the city, but Ana doesn't want to give up her new way of life in the village.