Acting

Rebecca Thorn

No biography available.

Known For

And You Were Wonderful, On StageAnd You Were Wonderful, On Stage · 2015
And You Were Wonderful, On Stage
2015
MovieMusicDocumentary
An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.
Prime SuspectPrime Suspect · 1991
Prime Suspect
★ 7.81991
SeriesCrimeDrama
Highly skilled Detective Inspector Jane Tennison battles to prove herself in a male dominated world.
The Old GuysThe Old Guys · 2009
The Old Guys
★ 6.52009
SeriesComedy
The Old Guys is a British comedy television series that revolves around two aging housemates: Tom Finnan and Roy Bowden. The pair live across the street from Sally, whom they both find attractive. Tom moved in with Roy after Roy's wife Penny deserted him. Baby boomer Tom has little in life but his daughter Amber, who is dating Steve. Roy is a suburban pensioner who believes that he is one of the country's leading intellectuals.

Filmography

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And You Were Wonderful, On StageAnd You Were Wonderful, On Stage · 2015
And You Were Wonderful, On Stage
2015
MovieMusicDocumentary
An immersive film installation by Cally Spooner. In this work, a musical for six continuously rolling cameras, a black box soundstage and its inhabitants, are recorded in a single take. The mechanics of the shoot (cameras, microphones, mixing boards, chromakey screens and crew) remain as present as the performers they capture. Cast and crew become a constant-motion human backdrop, pragmatically recomposing scene-changes through lighting cues, voice, body movement, or continuous shifts of filmic apparatus and props. The semblance of a post-production edit arrives through the organisation and orchestration of bodies on set. Delivered by a chorus line of women, the film gossips about various celebrities, athletes and politicians who have outsourced their performances to different technologies.

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