Carlos Gregório

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

The man who changed Brazilian journalism. The film focuses on the period of Samuel's life spanning from 1951—the year the newspaper Última Hora was founded—to the mid-1960s, when its decline began.

The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. Claudio sees Helena as a shopper and "little teacher of a choral" and Helena sees Claudio as an insensitive and rough man. On the night before the fiftieth anniversary of Claudio, they changed places with each other.

With death getting near, a retired officer remembers the most important passages in his life and his participation in historical events in Brazil, such as the Lieutenants' Movement, and the 1964 coup.

Godofredo suffers a terrible blow when he comes back home earlier than usual and finds his wife in the arms of his partner. He sends his wife away to a coast town and dares his rival to a duel. But he begins to miss his wife and the company of his friend.

Clara directs the rehearsals of a theatrical play about Fernando Pessoa while constantly seeking the right man and the love of his life. One of the actresses is the lesbian Ana, who interprets the poet Mário de Sá Carneiro. She is Clara's friend and confidant with whom she shares an apartment. Clara does not perceive Ana's love for her, that always helps her to recover from the disappointments. Unlike the character Sá Carneiro, poet of decadentism, nostalgia, metaphysics and vague, Ana is the pragmatic side of Clara, who often brings a disillusioned vision as if it were Fernando Pessoa himself, who may be associated with concepts of the poet's heteronyms.

The affectionate relationship between mentor Alberto and his favorite pupil Polydoro is disturbed by Alberto's marriage to Helena, with life-changing and long-lasting consequences for all of them.

After the funeral of her father Arnaldo, who committed suicide, Engraçadinha confesses to the priest the motives. On the engagement party of her cousin Sílvio with Letícia, Engraçadinha seduces him in the library, and later she ends her engagement with Zózimo and lies to Letícia, telling that she is pregnant. Letícia decides to tell Arnaldo what happened, and he says that the child can not be born. He exposes dirty secrets to Engraçadinha, and a tragedy is announced.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

Claudio and Helena are on the verge of breaking up, until the couple experiences another strange phenomenon that looks to help them understand one another more.

With Brasilia as a setting, the film tries to recreate the political environment in Brazil when civilians were able to found new political parties, after 10 years of strict military rules. In the midst of a nationwide crisis, a group of politicians found an opposition party to the military regime, triggering violent denunciation against multinationals operating in the country. The explorer of the Seesaw deposit, United Mining, an American multinational that is being accused of several irregularities, sees in the internal struggle that divides the opposition party its only chance to silence the nationalist campaign that denounces it. Thus, a game is developed that ends up leading the characters to a tragic plot of corruption and fear.

A Journalism intern makes her first report in a public office, getting lost in the bureaucratic intricacies.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

The routine of a group of brazilian teenagers living in Brasília, Brazil's capital. Their aspirations, dreams and illusions presented in a context of a country that was on the final years of a dictatorship back in the 1980s.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Two friends get rich running an illegal gambling business. But soon they start to compete, and become rivals.

Poor people who live in the slums in Rio de Janeiro decide to occupy an empty apartment building in the rich part of the city. Meanwhile, a rich girl falls in love with a poor composer. Based on the musical play "Pobre Menina Rica", by Vinícius de Moraes and Carlos Lyra.

A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor.

Unemployed, penniless in the big city and after accidentally stealing and killing his landlady, Antonio flees Rio de Janeiro towards Northeast of Brazil to find his mother. On the way he meets a beautiful woman and a pair of criminals.

Shady and beautiful art dealer involves her former lover and an art expert in a scheme to deceive a rich collector. Exposed, she escapes with her new lover, a pilot.

Follows the decadence of an incestuous oligarch family in a rural Brazilian household through the years during the early 20th century.

Marcos Resende is a cold and crisis man command MetalNobre company. Mark lost his faith in God when her father, Antonio, died in the construction of the Basilica of Our Lady of Aparecida. He had asked the day before to Our Lady Aparecida cleats for him to play in a team and his father would buy them. Mark is separated from wife and Sonia have feuds with son Lucas, in addition to keeping a bad emotional relationship with Beatriz, an official of the company and his mother, Julia. After a misunderstanding, Lucas suffers a serious motorcycle accident. Then Mark revive its history and living with his father. And when he turns to Julia, she reveals the mysterious grace of his family.

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

A young woman is fated to relive the love of an earlier life. Separated by time, young Serena and botanist Rafael surmount all obstacles as they live a love that is stronger than fate itself. These challenges include the lovely but ambitious Cristina, who is obsessed by the rich botanist and driven nearly mad by her attempts to shatter their great love. A romantic comedy set in the 1940s, Soul Mate underscores the importance of love, family values and the ties of affection with a light touch and plenty of humor.

Set in the 19th century, the novel tells the story of an impossible romance. Inácio, a young man from a traditional family, falls in love with Esther, the owner of the most famous brothel in the Court.

Quinzinho and João Victor are identical twins separated at birth, unaware of each other's existence. The brothers eventually draw closer, guided by their instincts.

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

Fátima Accioly is a young, callous woman who wants to be rich and successful at any price. After selling her family's house in the country, she heads to Rio and gets to know dress man César who is unscrupulous himself. Meanwhile, her mother Raquel stays behind without home and money, but finally tries to find her daughter in the big city. Both women come in contact with the rich Roitman family which changes their lives forever.

Maria do Carmo becomes wealthy through her father's business dealings and becomes a successful businesswoman, but she retains the habits of her humble past.

After breaking off her engagement on her wedding day and going directly to a prostitution house, a young model becomes the city's most famous harlot, known as "Hilda Hurricane", in the 50's Brazil. She could do fine if it wasn't for Malthus, a young novice said to be a saint, for whom she falls in love. However, the boy is kept under the strict, severe doctrine of Father Nelson, a conservative priest intolerant even to every minor sin. Things start getting harder when Roberto, Malthus' old friend and a communist reporter (the actual author of the story), tries to interview Hilda and disclosure the real reasons behind her radical change of mind. In the meantime, the middle-classes are terrified by the "leftist threat" in Brazilian politics.

After an accident, Marcela arrives in São Paulo and decides to assume a new identity. Torn between love, she plunges into a world that is not her own.

This moving telenovela tells the story of an unconditional love that overcomes life’s unexpected turnarounds. Ana is a promising tennis player who counts on best friend and sister Manuela for support. After a terrible car accident, Ana goes into a deep coma and only emerges from it five years later. Now, she must struggle to recover the life that went on without her and that she no longer recognizes as her own.

Sassá Mutema is a farm laborer who becomes the target of the city's powerful figures' cruelty. With Clotilde's support, he discovers that it's possible to start a new life alongside a great love.

Seven high school friends reunite after 20 years. Memories of the past and coincidences of the present reveal the secrets and affections that bind the women and their families.

The story's theme is spiritualism, viewed through the lens of past-life regression. Floriano Ferraz is a skeptical sculptor tormented by severe shoulder pain and visions of a woman dying at his feet. Exhausted, and encouraged by his master and friend, the craftsman Quirino, he seeks the help of psychiatrist Ulisses. Through regression techniques, he discovers that in 1880, in the city of Petrópolis, in the mountainous region of Rio de Janeiro, he was Lieutenant Belmiro, in love with the young Valentina. The young woman, married to an older man, is seriously injured while trying to flee with her beloved. After suffering a sword blow, she loses her balance and falls from the third floor of a mansion, at Belmiro's feet. Before dying, however, Valentina arranges a meeting with the lieutenant in the future. The experience completely transforms Floriano's life, and he decides to abandon everything, including his girlfriend Antônia, to pursue his past.

The story begins with the arrival of millionaire Antônio Carlos Volpone in Brazil. After living in Cairo for 18 years, he returns to his homeland for two reasons: first, to clarify the murder of his father-in-law, Dr. Telles, of which he was accused; second, to get closer to his ex-wife Estela, now married to Orlando Aranha. The millionaire also attracts media attention, and reporter Amélia Bicudo decides to investigate his life. To mislead his enemies and move freely, Volpone uses numerous disguises: the executive Anabela Freire, the doctor Nilo Peixe, the industrialist Augusto Melo Sampaio, and the driver André Silva. With the help of his loyal secretary and friend, Mosca, he confronts his main rival, Orlando Aranha, and Renata, Orlando's sister, who holds secrets about the murder of Estela's father.

Brava Gente was a television series aired by TV Globo in Brazil between 2000 and 2003, initially as a special year-end. The program was adapted from stories and national stories, and plays by famous playwrights, screenwriters and signed by a number represented by several actors and actresses. The genres of the stories varied each week with the style of each director or author. Brava Gente in the stories ranged from comedies and dramas. In all 53 episodes were shown, broadcast on Tuesday nights.

Saramandaia is a Brazilian telenovela originally written by Dias Gomes in 1976. It's considered remarkable because of the Magic Realism (used by the author to subtly criticize the Military Regime of the time) and had 160 chapters. The story centers on the name change that the city undergoes, promoted by the younger citizens and reviled by the older ones. It also focuses on the lives of the city's quirky residents.

The famous psychologist Teca falls in love with the widower Renato, father of one of her patients. The romance awakens the jealousy of Stela, who harbors an unhealthy passion for Renato, her brother-in-law.

Three young people decide to search for missing friends and relatives. When they find a community in the middle of the Amazon rainforest, they face great adventures.

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.