Francine Tougas

Years after first being inspired by a Félix Leclerc song, Martine Chartrand directed the film MACPHERSON. Ten years in the making, it features animated painting on glass and draws on her extensive research on the title character. Filmmaker Serge Giguère was there from the start, carefully and sympathetically chronicling this exceptional creative process.

In a Niagara Falls motel, an unremarkable couple attempts a romantic getaway. But as the days go by, the trip threatens to turn into a cold shower. I Don’t Love You Anymore is a humorous exploration of the red flags we choose to ignore to keep a relationship alive.

In 2001, the government of Quebec announced a new program to issue permits for the construction of private hydroelectric dams at specific sites. Upset, the population took things into their own hands and decided to act. Citizens formed collectives to protect their waterways, among the most beautiful in the province. This documentary follows several artist and citizen groups who led a crusade to force the Québec government to abandon private hydro-electrical production. It is a thorough inquiry on the environmental impact and other repercussions of such projects.

A unique and inspiring look into the heart of the Cirque du Soleil universe. This 10-year anniversary retrospective made in 1994 highlights the essence of Cirque du Soleil - the amazing energy and spirit that gave birth to the phenomenon and the breathtaking artistry that has captivated and delighted audiences around the world.

The adventures of the green-haired extraterrestrial Bibi ZZ99944X and his friend Geneviève.

Béatrice Clément is a 48-year-old emergency room doctor. She is pretty, charming and at the top of her professional game. The only problem is, Béatrice hasn’t been feeling well. Having undergone every test available without any conclusive results, she is at the end of her rope. Finally, she overcomes her skepticism and agrees to visit a psychologist. Dr. P is gentle, attentive and compassionate. Despite Béatrice’s initial resistance, he slowly but surely gains her trust. Every week, Béatrice is confronted with patients who remind her of her own personal struggles. It is becoming clear that although she is fully in control of the ER, her private life is another matter entirely. In her drive for constant perfection and control, she is faced with comical and embarrassing situations, but also painful ones.