Paige Taul

A tender approach to filmic abstraction mirroring the care evidenced in Roy DeCarava’s photograph Face out of focus (c. 1960). (Paige Taul)

About a girl and her Js. A meditation on the politics of style, collectivity, and self definition.

"Blending found footage with oral interviews, Full Contact offers a personal dive into an unseen student's spiritual and bodily relationship with Judo. Also featured is the student's sensei, who discusses their philosophical understanding of Judo." – Denny Mwuara

"10:28,30 examines the relationship between myself and my sister, and our relationship to our mother. I am interested in the dissonance of our lives apart and the tension in the desire to be together."

Paige Taul, USA, 2018, 16mm digital transfer, 4 minutes, English

An exploration of the expression one makes when the music is just that good. Meant to capture the intense emotion of the performers as they listen and dance to music while simultaneously addressing the universality of Black expression and whether or not such a feeling is a common experience.

71 is about the sensibilities of the black middle class as observed by Jessica Taul and Pamela Patterson, the filmmaker's mother and aunt, respectively. They discuss their differing tastes, definitions of class, frogs, and other qualifiers they consider in their evaluation of the space that they live in: a suburban-like outcropping of identical housing units. Through direct quotation and phenomenological relation to Bill Greaves’ seminal film, Still A Brother: Inside the Negro Middle Class (1968), 71 navigates the temporal gaps in conformity and respectability politics between 1968 and 2022.

An answer to a proverbial question. An exploration of the concept of double consciousness and an attempt to render it visually.