James Gardiner

A Taste of Sin

Faith, forgiveness, redemption and hope. Two pastors, poles apart, navigate their temptations -- one tempted by money, and the other by desire.

Detroit '67

In 1967 Detroit, Motown has hit its groove and the Poindexter siblings, Chelle and Lank, make ends meet by hosting parties in their basement. However, Lank and his friend Sly have dreams beyond the cellar shindigs—despite Chelle’s resistance. When Lank then brings home a mysterious white woman, the family’s simmering disagreements explode—as their streets erupt in riots—and life becomes a lot more dangerous.

Simply Sondheim

A musical revue of over 30 songs written by Stephen Sondheim. The quintessential “Finishing the Hat,” “Another Hundred People,” “Losing My Mind” and “The Worst Pies in London” meet lesser known gems including “Country House,” “Saturday Night” and “Goodbye for Now”. New orchestrations by longtime Sondheim collaborator Jonathan Tunick are performed by a 16-piece orchestra, which accompanies 12 singers including Norm Lewis, Solea Pfeiffer, Conrad Ricamora, Emily Skinner, Bobby Smith, Awa Sal Secka, Tracy Lynn Olivera, and more.

Midnight at the Never Get

If life is a rehearsal for your memory, what moment would you replay? It is 1965 in New York City and cabaret crooner Trevor is in love—with Arthur, his songwriter. With their romance outlawed, the two create an act in the back room of an illegal Greenwich Village gay bar. However, pressures from a world on the cusp of change expose an ache for what they could never have in a wistful and whimsical serenade with tunes reminiscent of the Great American Songbook.

After Midnight

With music by Duke Ellington, Harold Arlen, Dorothy Fields and more framed by the poems of Langston Hughes, this exhilarating song and dance extravaganza features 28 of the big band era’s most memorable songs and showcases the gorgeous glamour and sophisticated syncopation of the Harlem heartbeat after midnight.

Daniel J. Watts' The Jam: Only Child

In Daniel J. Watts’ The Jam: Only Child, a nod to his great-grandmother’s plentiful recipe and the spirited spontaneity of jazz, Daniel J. Watts recounts his life as the only child of a single mother. From the fierce growing pains of boyhood innocence to the awkwardness of teenage years to a proud Black man, Daniel digs through his memory’s attic in a powerful and playful story of metamorphosis.