Alexa von Porembsky

Landlord Kohlhiesl has two twin daughters that nevertheless couldn't be more different: Liesel is beautiful, feminine, sophisticated, educated and in love with a fellow, Toni, from back home. The other daughter, Susi, is clumsy, masculine, never left home and wants nothing to do with men. Liesel would dearly love to marry Tony, but her father refuses to allow the wedding until her sister Susi has found a husband first...

A scientist discovers that there's gold on the moon. He builds a rocket to fly there, but there's too much rivalry among the crew to have a successful expedition.

Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.

The story revolves around Vera, a renowned singer constantly evading her possessive Russian husband, Count Ogolenski, who uses cunning tactics to eliminate her potential suitors and refuses to grant her freedom. Seeking refuge and romance, she becomes involved with the wealthy Dschahid Bey, leading to a tense confrontation amid elements of espionage, with settings including Egypt and the Nile. The narrative blends absurd intrigue, thriller aspects, and romantic tension, reflecting Perutz's style of fantastical and mysterious tales.

Heinz Rühmann plays the "model husband" who, when his bored wife threatens to leave him, embarks on an adventurous night.

In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.