Manuel Egozkue

Exploring the issue of stolen children in Spain, the plot tracks Vera’s search for her biological son, given in adoption, thereby coming across Cora and her adoptive son Egoz.

Lucas comes home for Easter. As every year, the celebration takes place around the throne of the Magdalena, patron saint of the town, where both blessed and atheists coexist with tradition. Every season a young woman is in charge of dressing the figure, this year's is a complete stranger to him. The girl and the image have a particular relationship, a strange interest grows in Lucas.

It is said he has someone locked up. People have seen him looking over from the other side of the fence. That kid will disappear any day.

Here is the love story of Sebas and Andrea, first-time university students, in the 1958-1959 academic year. Here is how social class and ideology become insurmountable obstacles?... Here is architecture marking, inadvertently, the dotted line that ends up dictating its emotion.

Madrid, April 2020. Covid-19. A girl, at home, is bored. A boy feels lonely in his room. They don’t know each other, but imagine each other on a chat. And while they do so, they start a journey in space and time trying that will take them away from their enforced lockdown.