Robert Herlth

An aging doorman, after being fired from his prestigious job at a luxurious hotel, is forced to face the scorn of his friends, neighbours and society.

Murnau’s epic adaptation of Goethe’s tragedy stands with Fritz Lang’s Metropolis among the supreme achievements of German silent cinema. Gösta Ekman plays the alchemist who, his faith shaken in a time of plague, is offered the gift of healing and eternal youth… in exchange for his soul.

As a young couple stops and rests in a small village inn, the man is abducted by Death and sequestered behind a huge doorless, windowless wall. The woman poisons herself in order to join him and is met by Death, who gives her three opportunities to prove that love is stronger than death, thereby freeing her beloved from his fate.

Starring Betty Amann in her most famous leading role, Joe May's Asphalt is a luxuriously produced German Expressionist classic where tragic liaisons and fatal encounters are shaped alongside the constant roar of Berlin traffic.

In the middle of the 19th-century, when the social structure of Europe is about to be reshaped, the world of music is shaken by one man: Richard Wagner.

Thomas Mann's witty and intimate story of a irresistible scoundrel.

Young Olga Ahrendt almost succeeded in attempting suicide. She had thrown herself in front of a tram out of desperation about her miserable life, a desperation she shared with many in the post-war period. Fortunately, Privy Councillor Sauerbruch is at the scene of the incident, ordering her to be admitted to his clinic after a brief examination. Sauerbruch works both as a university lecturer and as a surgeon, a famous doctor who not only helps his patients physically but also gives them spiritual comfort. After he has taken Olga Ahrendt to his hospital, he discovers during an examination that her suicide attempt is due to a serious physical illness. He intensively takes care of her without forgetting about his other patients, to whom he can give a new will to live, even if only through a small story. And he will also treat Olga Ahrendt successfully...

A true story based on the popular novel by the Baroness Von Trapp of Austria. The film was made in 1956, some years before the other film based on the Trapp Family's life was released - a little movie named "The Sound of Music".

Countess Franziska "is kidnapped" by a band of robbers. However, her father is not willing to pay the ransom so Franziska changes sides.

This silent-screen classic, like many others produced near the end of the silent era, was both a theatrical extravaganza boasting an original orchestral score and an item which languished in obscurity for many years. When Carlo Piccardi took what was left of the score by Maurice Jaubert and re-created it, the existing footage was restored and paired with a new orchestral performance which was shown in Paris in 1988. The film's story concerns the travails of a woman who has been living quite comfortably as the mistress of a colonel in the Tsar's army in Russia. However, she eventually encounters a penniless young lieutenant and falls madly in love with him, as he does with her. Despite her best intentions of remaining with the colonel, and his intention to avoid trouble with his fellow soldiers, they cannot forswear this relationship, and tragedy is the inevitable result. The title refers to a moving incident in the story, and translates as "the wonderful lie of Nina Petrovna."

A man in bad sorts hires a burglar to later kill him, then changes his mind when his fortunes turn and must find the contracted murderer before it is too late.

The von Trapp family are struggling to survive in America, where their performances of European church music are not popular with the audiences. Only when they start performing more upbeat Austrian folk songs and even some American numbers do they become a success and finally find security and a new home.

English-language version of Ich und die Kaiserin. 'Germany, 1890. Duke falls in love with voice which is not that of empress, but of hairdresser.' (British Film Catalogue)

In 1756, a masked ball was officially celebrated in the Dresden Palais of the Saxon Minister Heinrich von Brühl. Unofficially, however, talks are taking place with the envoys of Austria, Russia and France with the aim of conspiring against the Prussian King Frederick II. The Prussian envoy, Major von Lindeneck, succeeded in bringing a copy of the concluded secret treaty to the Prussian king. Friedrich consults with his generals, who urge caution. Friedrich is stunned by the reaction and now develops a counter-plan. To do this, he sends von Lindeneck back to Dresden. However, the latter is not very enthusiastic about this, as he thinks he has reason to doubt his wife Blanche's marital fidelity, and he now has to leave her alone.

Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. Failing in this, he disguises himself as Amphitryon (Alkemene's husband) and tries again. Next morning Amphitryon and his men come back from war; he suspects adultery and wants a divorce. Jupiter's wife Juno now also comes to earth and clears things up.

Botto the Clown is in love with the much younger Blanche but she is in love with the handsome daredevil acrobate Andre.

Christl, the forester’s daughter, apprehends a young hunter in the forest and only lets him go after he pays a small fine. But when Christl goes to the emperor shortly afterward to plead on behalf of her beloved—a Hungarian officer who has fallen out of favor—she can hardly believe her eyes: the young hunter was the emperor.

First part of two of the saga of the troubled Buddenbrook family and their business in mid 19th century Germany.

Hinrich, the son of a feudal German landowner, falls in love with the beautiful daughter of one of his father's serfs despite opposition from both families. But when he actually offers marriage to her, this is going too far. The return of his brother Detlev, with an unscrupulous aristocratic bride of his own and a rival claim to their father's estates, proves to be the trigger for tragedy.

A young man shows his millionaire grandfather a film based on Molière's play "Tartuffe" in order to expose the old man's hypocritical governess who covets the young man's inheritance.

Two nine-year-old girls—rude Luise Palfy and respectful shy Lotte Körner—meet on a summer camp. Apart from their different hair-do, they look alike. They have never seen each other before, but soon find out that they are identical twins. It turns out that their parents divorced, each keeping one of the girls. They decide to trade places at the end of the summer. Lottie curls her hair, Lisa braids hers, and both go off to where they have never been before. The adventure begins.

A long time ago, John Miller emigrated from Germany to America. Now he wants his daughter Elinor to get to know his old homeland and sends her off to Heidelberg, where she is to study for a year. Pretty soon, the pretty young girl is in demand among the young men in town. Especially the students Dahlberg and Bornemann try to win Elinor's heart.