Carl Froelich

Lothar von Pütz and Roswitha von Krakow fall in love and only then discover that their fathers are bitter enemies. When Lothar's father dies, a close friend of his father's, Baron Maximilian von Hanckel, takes the boy under his wing and tries to make peace between the families. He visits Roswitha's father, who begins to hope that he can marry his daughter to the older, but wealthy, baron, who is still a bachelor. When an argument breaks out between Lothar and Roswitha, she agrees to marry Maximilian. It is only at the pre-wedding party that Roswitha and Lothar have a real conversation. Maximilian overhears everything, releases Roswitha from her vows, and brings the two young people together.

A sensitive girl is sent to an all-girls boarding school and develops a romantic attachment to one of her teachers.

This film is a fascinating showcase for Emil Janning's theatrical play. He's a gentle school teacher who believes in his boys and is easily fooled about all things, while the other town officials want him dismissed. Curiously it's very hard to see what the film is exactly aiming for. Disaster strikes and the lax prof proves to be too far removed of the real problems of the world, on the other hand his enemies are shown in the most unsympathetic, satirical way denouncing the militaristic, bourgeois ideology of the Kaiserreich.

Klara and her father have been alone since her mother died. Her close friend Hans leaves for the military, and on returning as a fine young man, rushes to see Klara. As their families work to keep them apart, their love grows stronger and stronger.

A young singer at the Opera finds out who really loves her, when the theater catches fire on the opening night of the performance.

The two daughters of the fisherman find husbands.

The young Styrian woman Therese Brandl desperately wants to work in the theater and therefore travels by train to Vienna to pursue artistic training. The scholarship granted by the elderly Countess Hoyer is intended to guarantee her financial independence. Unaware that she is to be picked up from the Vienna train station, the student immediately takes a taxi upon arrival and asks for recommendations for both an affordable hotel and a charming little pub. Therese gets approached by an older gentleman, a gray-haired bon vivant with considerable life experience. After several glasses of wine, they leave the establishment together and go to Therese's room. Apparently, things escalate there, and they spend the night together without having been introduced. The surprise is all the greater for Therese when she goes to the drama academy the following day to begin her training: her future teacher is none other than the gallant and lover from the previous night, Dr. Alexander Dahlen.

This biographical portrait of composer Richard Wagner (1813-1883), feature-length and lavishly produced, was released in conjunction with the centennial of his birth. It's an outstanding achievement in many respects. Naturally it looks primitive by modern standards, but contemporary viewers should bear in mind that it was made at a time when the motion picture industry was still in its infancy, and feature films were still a novelty. The very notion of a silent movie about a composer may seem odd, but Wagner is an ideal choice, simply because his life was so tempestuous and dramatic. Wagner's personality was operatic, while his tumultuous love life unfolded like a soap opera. He knew great success and abysmal failure, luxury one day and poverty the next. He participated in the wave of revolutions that swept Europe in the late 1840s, and had to flee Germany under threat of arrest.

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.

A pretty girl helps a popular Berlin policeman solve the murders of a woman he knew and the crooked banker the victim worked for.

Two French spies, Baron d’Aubigny and Clemence de Montignon, blackmail German engineer Günther Ellinghaus with his gambling debts into handing over his construction plans for the new Ikarus engine. He flees to New York and works as a waiter. When World War I breaks, he signs on as a fireman on a Dutch ship and returns to Europe. He becomes a fighter pilot in Germany and faces the former spies as his enemies. After an emergency landing he is taken into their headquarters. He escapes an attempted murder and fights his enemies in an air battle. Both of them survive and after the war Ellinghaus offers them his hand in reconciliation.

In the form of a shadow, Death emerges from the sea and convinces an unhappy woman to commit suicide by returning to the sea with him.

As the title "The Queen's Heart" suggests, this early German black and white version of Mary Queen of Scott's eventful reign and death focuses on her emotional perception rather lyrically, with some songs, mainly by her.

An adaptation of Dostoevsky's novel.

1865. Katharina goes to a ball in Moscow. There she meets again Tchaikowsky, her first and only love. The young, who is now married to wealthy Michael Iwanowitsch Murakin, a man she does not love, has not forgotten Piotr Illich, the (not yet) famous composer. Both are still in love with each other but Piotr is engaged to Nastassia, a dancer, while for her part Katharina cannot leave her husband. Tchaikowky's first love then decides to sacrifice her happiness to the success of the composer, sponsoring him in secret. Something Piotr will learn only years after. When Katharina finds herself free at last it is too late: Tchaikowsky is dying of cholera and she only has time to close his eyes.

Nazi propaganda film in which German girls from differing walks of life come together to serve the Fatherland in the 'Bund deutscher Maedl,' by harvesting crops, doing housework, acting as midwives, helping with handicrafts, and singing songs.