Eva Chou

The life of seventeen-year-old Xuan is anything but ordinary: She lives and works with her mother and sister in a recycling center surrounded by things others have thrown away. One day, at the suggestion of a boy she likes, she tries to escape into the life of a normal teenage girl.

What haunts us is not only death, but aging. Pei-Hua is drawn like a blurred sketch—gray, undefined, embodying the quiet experience of a woman growing older.Mothers often remain fixed in place, becoming a point of reference for their daughters’ journeys. Each of us carries a “carry-on”—unfinished burdens or lessons meant to be faced in this life. When we finally leave, do these carry-ons remain? In the film, a fire becomes a ritual of release, a way of saying goodbye. Life is rarely pure joy or sorrow, and The Carry-On is no exception.

If you had only three hours a day, what kind of life would you want to live? A comet has disrupted humanity's biological clock, limiting people to three waking hours a day. On his journey, Ian meets families with distinctive views on time, exploring different life choices along the way.

On a romantic night, she goes on a date with “him.” Through the taste of the delicious meal and the in-depth conversation with him, she recalls the lovely memories from the past.

In the 1990s, many young women from Southeast Asia, carrying their hopes and dreams, were married off to this faraway island of riches... Through a two-part narrative, the film contrasts the past and the present of Taiwanese society. Can these immigrant women across different eras break free from their predicaments in this foreign land to rediscover themselves? Can they as well as the locals, live truly free lives?

The last bus has already left the station. Frustrated, the young man reluctantly gets into a nearby illegal taxi with a grandma, a migrant worker, and a talkative driver, and they drive from Changhua City along Zhangshui Road all the way to Erlin. The wheels roll forward, and the scenery of the hometown is reflected on the windshield and constantly receding. Where does the fleeting light in the young man's eyes come from?

Ka-long, a wanderlust graduated from the University of Hong Kong, always dreams of backpacking to many countries with his guitar. While he believes he is trapped in Hong Kong, his family thinks that he is simply wasting his life and not settling down for a better future. He is getting more uplifted after he meets Wen-wen, a girl speaks with a Taiwanese accent. While they are dating, Wen-wen makes an effort to hide her true identity from Ka-long. Can they finally resolve the undercurrent of their relationship? Let’s Get Lost ultilises the thematic motif of road movie genre – both protagonists have to embark on a journey of revealing their true identity. As a result, the film widens its scope to the geo-political differences between Hong Kong, Taiwan and China.

Anthology crime television series inspired by four real-life cold cases in Taiwan, exploring themes such as faith, temptation, redemption, and obligation through the eyes of the people of Taiwan.

When a spate of grisly murders throws a city into chaos, a tenacious prosecutor must brace for a cat-and-mouse game against a dangerous manipulator.

Muqi, a young pop star becomes more and more arrogant, especially with his manager Nagatsuki, a long-time friend who suddenly commits suicide. Muqi finds himself crushed by sadness and guilt. At the funeral, he meets Master Bensheng, guru of a cult his friend belonged to. If at first, he finds comfort within his place, cracks may soon appear in the caring appearances of the cult members.

“And they lived happily ever after” is an ending we are all too familiar with. On Marriage focuses on portraying all those struggles that couples encounter when they give up themselves to fulfill their marriage. In this anthology series, each individual episode explores varying meanings of marriage from five unique perspectives.

An aspiring stand-up comedian turns her struggles into heartfelt humor as she balances work and relationships while caring for her aging father.

Our story begins with Junior Detective LIN, who has just been put in charge of a case that appears to be a suicide. Most curiously, the crime scene has many features in common with a scene from a Sherlock Holmes novel. Detective Lin quickly discovers that it is a murder case. Meanwhile, a group of young sleuths supports their detective club president GAO’s dream to win a writing contest. The three club members, psychologist ZHONG, social worker WEN, and pharmacist ZHANG, each harbor a hidden secret. GAO could never have expected that he would become implicated as the killer in an actual murder case! As Detective LIN delves deeper into his case, a series of seemingly unrelated events all end up pointing towards the club members.

JIANG has just begun his career as an after-school tutor. He has a great sense of humor in teaching but suffers from intimacy issues due to the influence of his parents who endure lifelong mental illnesses. Failing to obtain commitment, JIANG’s girlfriend Lan decides to run away from JIANG and works as an elementary school teacher in a remote village. In order to reconnect with Lan, JIANG applies for an internship at a school there as well. Eventually, JIANG not only rekindles the spark with Lan, his passion for education is also reignited. However, he still has his own problems that need to be overcome: Will JIANG suffer from mental illness just like his parents? Does he still have the ability to love?