Valentina Flynn

"The wound and the knife" is several things, or at least three: a documentary, a fiction and an essay. A documentary about the creative process of the last 5 years of the artist Emilio García Wehbi, a series of fictional scenes that dialogue with his work and a kind of essay on the body. In this sense, the staging is situated in the fragment, not only in the fragments of Wehbi's works, but also in the fragments of the bodies that make up those works. Thus, a little adrift and with a puzzle structure, in "The wound and the knife" I manifest a constant will to jump into the void, in this way the film denies itself as a closed work, but rather, what what it tries to be is a draft, the single notes that survived my own process.

Norma is a fisherwoman who lives on the islands of Entre Ríos, Argentina. At 55 years old, she still doesn't know what her vocation is, although her true desire is to be an actress. Meanwhile, he dedicates himself to fishing.

Gastón is abandoned by his girlfriend and is left alone in his apartment in Buenos Aires without knowing what to do. During the following days, the young man walks around the city confused, remembering the happy days and receiving WhatsApp audio that he listens to without being able to respond.

Miren Felder died on top of a snowy mountain after a plane crash in 1977. The director discovers secret messages from her grandmother in photographs taken by her military grandfather and offers herself as a medium in a ritual to communicate with her.

In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.