Nyi Pu

Aung Naing’s health is deteriorating, and he has to be transferred to a hospital due to inadequate facilities at the local health centre. While his friend is desperately searching for the money needed, he is losing the will to live.

Artist Htoo Lwin Myo excavates the lesser-known and wildly joyful history of Myanmar’s horror and genre film industry in the 1950s that has persisted through political turmoil and archival neglect, told directly by the people who made it.