Blaire Ko

After his suicide, a teen ghost contacts his classmate through sign language, revealing the queer love and pain they were never allowed to voice.

Croc is a young gangster who goes back to work for his former boss at a city councilor’s office after his release from jail. Croc’s latest task is to deal with Ping, a headstrong farmer who adamantly refuses to give up her land for redevelopment. As Croc and Ping develop feelings for each other, Croc is determined to become a better man and hang on to his newfound happiness — even if it means defying his own mob.

In 2016, Taiwan's film and television industry was in a recession. This made life even more difficult for the lowest-level performers, the extras. The story begins with Kehan Zhang, a man who loves acting and works as a full-time extra. He had been working as an extra for three years and paid NTD 500 in cash every time. His daily routine includes searching for various audition opportunities, submitting resumes, and only receiving audition notices every now and then. To fulfill the dream of becoming a leading actor, he decided to venture into the film and television industry in China and started his Don Quixote journey with pals. The documentary also films other actors and actresses - the girl from the south and Brother Long, and how they experienced gender and age limitations in the industry. Besides the stereotypes in the industry, they also faced challenges balancing work and family.

On Chinese Valentine’s Day, Emma carefully prepares for her date with Kevin, only to be met with a series of indifferent voice messages. Feeling dismissed and disappointed, with frustration simmering beneath the surface, something magical happens.

Born never to cry, Fish seeks his missing mother through the underworld. He believes her ghost is imprisoned within a deity puppet — yet, it conceals neither his mother nor an informant, but a survivor. Through the puppet’s mouth, the seaside street’s buried past unfolds.

In artist Su Hui-yu’s signature style, a moody slow-motion pan captures a wild, glitter-scattered, blood-splattered orgy during the Tang dynasty. The film is an invocation of scenes from 1985 Taiwanese cult film Tang Chao Chi Li that only existed in the screenplay, unfilmed until now due to what can only be imagined as budgetary restrictions and censorship pressures during the Martial Law era. Presented without narrative context, the orgiastic murder scene plays out like an unsettling nightmare.

16-year-old teenager Leaf runs away from home, skipping classes and ending up in a peculiar place called City of Lost Things. There he meets Baggy, a 30-year-old plastic bag. Baggy never sees himself as just another piece of junk. He has a purpose in his life - to lead his tribe to flee City of Lost Things. But he needs the help from Leaf to fight the dreadful army of the Armors.