Dietmar Kracht

Daniel, a young gay man, tries to pursue a traditional bourgeois relationship and lifestyle with his live-in boyfriend, but after their love quickly fades, he finds himself moving through different avenues of gay subculture, in pursuit of exotic pleasures.

It is love at first sight: elderly secretary Luzi and young, unemployed Dietmar find each other by accident in Rosa von Praunheim’s outrageous genre, social satire.

An African-American GI retires from the US Army in West Berlin to live with his white girlfriend, who already has a baby with another black man. After an argument with her family, she deserts him as well. Despite finding a job and a new place to live, he keeps running into racism, which also manifests itself in sexual intimidation.

In this sequel to Die Bettwurst, Dietmar and Luzi are a somewhat unorthodox couple, who live and fight with tremendous enthusiasm. The unusual nature of their liaison is signalled by the fact that Dietmar is bisexual and is completely unable to remain faithful to Luzi. Dietmar also has his own, personal dialect of German. Luzi, on the other hand, is coziness personified. No matter, in this film they get married at the Memorial Church in Berlin. Infuriated at his playing around, Luzi briefly splits up with him, but when her dog dies of poisoning, he is there to comfort her.