Carmen Córdoba González

15 years have passed and Roberto is still in love with his neighbor, but she prefers to hide ashamed of her body. With his art and an old clothesline as the only way of communication, Roberto has a plan to push his beloved for face her monsters at once.

Mother and Daughter are roped for life by an eternal bond that heals and hurts, and that is perpetuated when Daughter becomes a Mother.

Madrid, 1929. Emilia arrives in the avant-garde capital determined to study at the Royal Academy of Arts and become a painter. She wants to learn the technique to draw what her imagination conceives, a wild dream for a young provincial girl in a world where women can’t even attend an anatomy class. But Emilia wants to live in a world with room for her desires and aspirations. A world she will help to shape thanks to her courage and strength, but also thanks to the network of women she will meet at the Lyceum Club (intellectual salon) and the Residencia de Señoritas (the first women attending university in Spain). Women like Emilia who refuse to limit themselves to the margins of society.

Pinchu is pervy, and everyone laughs at his antics—including his girlfriend Jimena, who’s turning 30 this weekend and throwing an epic party. Only Bea sees him for what he really is, though this traumatic experience may make her question whether she’s been excusing the behavior of someone she loves in the same way.