Maryam Zaree

Undine is a historian and tour guide at the Berlin City Museum specializing in urban development, while Christoph is an industrial diver. Linked by a love of the water, the two form an intense bond, which can only do so much to help Undine overcome the considerable baggage of her former affair.

Wherever 9-year-old Benni ends up, she is expelled. She has become what child protection services call a “system crasher.” But she is not looking to change her ways, and has one goal: go back home to her mother. When anger management trainer Micha is hired to help, suddenly there is hope.

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

Parvis, the son of exiled Iranians, copes with life in his small hometown by indulging himself with pop culture, Grindr dates, and raves. After being caught shoplifting, he is sentenced to community service at a refugee shelter where he meets siblings Banafshe and Amon, who have fled Iran. As a romantic attraction between Parvis and Amon grows, the fragile relationship between the three is put to a test.

Cengiz and Savaş are two unlike brothers. Cengiz is an associate in a respected law firm and Savaş is serving a prison sentence because of several violent offences. After their father’s death Cengiz gets his brother out for one day. Savaş doesn’t know that his brother is heavily in debt.

When Willi's father is abducted and is only released for a valuable statue from his art collection, Tim is the only one who believes Willi that the police are on the wrong track. Together with the smart policeman's daughter Gaby and the highly intelligent outsider Karl, they start to investigate on their own. Against all odds the four discover a conspiracy. In the course of their first big detective adventure they grow together into a committed community, and so Tim, Klöschen, Karl and Gaby become the band TKKG.

Phoebe Phaidon works as a climatologist at an institute of cybernetics which is about to be shut down. So there has to be a solution in the form of a successful evaluation. The strategy consultants now work against the student movement in a virtual reality. Turmoils start.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Nick Gutlicht lives of illegally selling valuable books, owes money to a bunch of other crooks and has to hide from them. By chance he ends up in the mansion of the famous, now very old philosopher Curt Ledig, who despite the age related forgetfulness and pathological kitchen phobia resists to move to his daughter. Nick is hired by the family as watchdog. Now Curt can work on a presentation for the upcoming symposium, which anybody thinks he's capable of anymore. Nick thinks he has an excellent hiding place. This partnership of convenience of the two individuals quickly develops its own momentum. Curt regards Nick as an exciting research object and subjects him to an absurd therapy. For Nick it's a unique opportunity to fund his finances with Curt's phenomenal library. The strange couple is going through turmoil of incalculable proportions.

Pelin, a young single mother from the problem neighborhood of Berlin-Wedding, is sent with her three children by different fathers of different nationalities - Robby (seven), Elvis (four) and Roxanne (ten months) - to a mother-child cure in a scenic, paradisiacal spa resort in northern Germany. The cure is intended to give Pelin, who is constantly on a collision course with the youth welfare office and family court, time to reflect and recover physically and mentally.

It's Lene's first day back at work after some time off. Friends and acquaintances, regulars and strangers come to her jazz and blues bar. While Lene is waiting for Danish musician Leif, who is scheduled to perform tonight, the guests discuss all kinds of topics, ranging from pop music by elves and invisible cell phones to maggots eating away at corpses. But what if Leif doesn't show up at all?

At first glance, Leyla and Tristan are a happy couple. When they travel to a mysterious island, a game of identities begins that changes everything – their perception, their sexuality, their entire selves. But not only their relationship threatens to break up. They may even never be who they used to be again…

Martha, Yasmin, Jamie and Sam live in a shared apartment in Kreuzberg. Martha is from France, Yasmin from Germany, Jamie from the U.S. and Sam from Cameroon. They sit in their kitchen, cook for each other and dance together. But, compared to his flatmates, Sam left his country, because he needed to take refuge. The camera subtly catches the inequity that evolves between the four characters. Club Europe is a film about millennials who want to act more supportive and altruistic than their parents and need to face the question how far they really want to go in order to help.

Nihat, an introverted employee in a hospital cafeteria, is confused by Ayşe, a mysterious woman who just started working there as a dishwasher. Her obvious seductive approaches embarrass Nihat and make him nervous at the same time. Despite the rumors about her husband having been sentenced to many years in jail, Nihat reluctantly accepts Ayşe’s invitation to dinner at her house. This is the beginning of a strange and dangerous liaison. When Nihat discovers a picture of the woman’s husband and realizes that he looks astoundingly like him, the relation becomes even more toxic.

On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.

A handful of migrants without papers decide to start a hunger strike. Day by day, overcoming the violence that they inflict upon themselves, they discover the greatness of their true cause. From this realisation they learn to affirm their common humanity.

The fates of three German-born Muslims in Berlin collide as they struggle to find their place between faith and modern life in contemporary western society, caught at a crossroads where alluring liberated lifestyles conflict with deeply-rooted traditions.

Four men’s destinies slam into each other and intertwine on four balmy summer nights. Old wounds are reopened, new ones appear, unexpectedly there is a new closeness. And, when the sun rises over the city and the striking garbage men, finally ensure German order again, nothing is the same for these four men.

Kishori, unmarried and mother to a daughter, and her sister Sonal live in a house in Berlin. The house and a cafe on the ground floor are led by Kishori. All of a sudden, her strict and traditional grandmother comes for a visit from India. She wants to sell the house unless Kishori agrees to marry the father of her daughter, Robert. As Kishori feels obliged to all the befriended inhabitants of the house, including Robert, to keep the house, Kishori und Robert prepare to have a traditional Indian wedding.

Follows filmmaker and actress, Maryam Zaree, on her quest to find out the violent circumstances surrounding her birth inside one of the most notorious political prisons in the world.

Before Christmas, the angels have the mission to make happier 70% of the people. The story is based on angel Uriel and two new angels helping him.

Eleven young people live in a city. It is midsummer. This is the starting point of the escalation of seemingly harmonious relationships. A postmodern urban fairy tale about loneliness of dependency. About the question of what is greater, freedom or love.

Police officers Kessel and Driller are supposed to be on the lookout for an internationally wanted war criminal. But Kessel is a junkie, gets into a fight with a young dealer and runs the man over. His colleague Driller covers all the tracks, but cannot prevent an ambitious public prosecutor from trying to solve the incident. However, the two of them have a much bigger problem: the crime has made Kessel vulnerable to blackmail.

The alleged murderer of a policewoman, Frank Keller, applies for release from preventive detention after 15 years in prison. However, it is rejected. Out of desperation, Keller takes his lawyer hostage and flees the courtroom. His first destination is the house of the edgy and highly respected police instructor Bruno Theweleit. Keller is said to have shot his colleague 15 years ago. After the incident, young policewoman Lena Frey sets off on her own search for clues and comes across more and more contradictions in the version of events that is supposed to have happened 15 years ago. This draws the displeasure of Theweleit and the shady inspector Günther Lehmann, who was also involved in the incident. After a meeting with Keller, Frey begins to doubt the man's guilt.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

SOKO Leipzig is a German police procedural television programme, a spin-off of the earlier German police programme SOKO 5113. It was first broadcast on 31 January 2001, on German television channel ZDF. On 12 November 2008, the first part of a two-part crossover between SOKO Leipzig and British police procedural The Bill was aired, with the same version being shown on both ZDF and British television channel ITV1.

Shows the interaction between Hamburg police officers and paramedics.

Based in Neukölln, Berlin Toni manages the daily business of dealing with the Arabic gangs and ends up wanting to leave his old life behind for his family, but as expected, its never that simple.

A family moves from hip Berlin to a semi-detached house in the idyll and gets to know their neighbors...

Desperate for startup stardom, an overly ambitious finance mastermind lies, cheats and schemes his less-than-authentic company up the ladder to success.

Metin is a young man who has lost his girlfriend and the mother of his baby daughter. A couple of month later at his 30th birthday he struggles more badly than tough everyday life as a single parent.

Staged by Friedemann Fromm, this new prime time serial with main actors Anna Loos, Thomas Thieme and Burghart Klaußner is an emotional family drama, exciting political thriller and genre picture of the German capital in one sweep. The action’s central character is lawyer Susanne Kröhmer. While planning her private future with her partner, she gets the chance of becoming a candidate for the position of mayor of Berlin and prepares for competing with the city’s powerful ones. During this phase, however, she gets into conflict with her own father’s political interests, him being the leader of the conservative party.When finding out about some deceptive business practice with mayor-in-office Degenhardt, she feels urged to start on a journey back into her own past to find out truth. Alex, a journalist and good friend of hers from youth times, supports her in her confrontation with her past and her father’s criminal offences. One prime result during her search is, that transparency and honesty are hard to keep up within the political arena she is about to step into.