Luís Magina

In a distant past, Léon and Elvira Berthelini, itinerant artists, make their living hopping from town to town. In Covarronca, harassed by the Police Commissioner, they are forced to spend the night out in the open. That’s when they meet Stubbs, a young Cambridge student, with whom they find shelter in the home of a painter at odds with his wife. In return for the hospitality, they remind their hosts that the love of art resolves the art of love. Meanwhile, an unusual curse sends them on absurd journeys into the 21st century, where the future of social security and of a rock band are at stake.

A nun is called upon to adopt her 15-year-old nephew, and as a consequence religious, familial and sensual love become entangled.

On a foggy night, a blonde woman unexpectedly haunts the path of two young men in a suburban park.

'The Last Party' is a young romantic comedy that follows a group of four friends at their high school graduation party. Each protagonist with their love dilemma to solve throughout the night, all connected by the issues of this generation. It's their last night as teenagers. The last night with friends before being separated by different colleges. The last night before the rest of their lives.

During a taping of an 80s-themed TV show, Henrychment meets Goliath, who is quite nervous holding the long boom mic for the first time. In the initial performance, oppressed by the deafening silence on set, they are limited to exchanging provocative looks that could lead up to something else. It is a colourful musical about an improbable fling, an excessive episode of mutual desire. Allow yourselves to be henryched!

It’s summer, a boy and his friends go to the river. On the ride there, a story is told about a man and his pet snake that tried to eat him. The boy falls from a tree trunk and gets hurt. A girl follows him. A couple kiss each other, another boy explores the woods and a third one just lays by a tree eating a peach. In four chapters, the heat and the humidity of the forest unravel desires among them.

The young film student Maria do Mar is working on a documentary about the old manor houses along the Douro River. It is the final project in her thesis on “Reality in Cinema”. Maria has an unlimited confidence in what is visible. Her candour and her naivety allow her to see the bright side of life – such as the beauty of the landscape and the authenticity of the place, or what’s left of it. But when Maria enters the final manor house on her list, she soon realises that something is going on in this house that is not as innocent as it first seemed. The manor is truly a house of horrors.