Ji-Yoon Park

Desperately building against the inevitability of time, a restless young woman is awaiting another upcoming loss. But maybe more important things never seem to be told. Soon after the director moves into her 22nd house, she gets a phone call that her Grandma, who lives far away, is in a critical condition. Elsewhere, a huge apartment made of sand is being constructed as the tide rolls in, while she belatedly tries to build a relationship with her Gran. As the camera sensitively observes how we wait for the upcoming days, the film embraces the fragility of life, full of uncertainty.

Kwang-Ja Lee, a counsellor at ‘Lifeline Korea’ has been listening to anonymous people’s stories for 45 years. Every day, she is all ears to stories that cannot be shared anywhere else. Image and sound react to it and creates new reflective space that seems to be the bottom of one’s heart.

Feet are hovering in the air, and narration flows over the image.

A film poem in which human consciousness intertwines with the element of water. It visualises the eternal clash between the urge to look back and the awareness of space and time ahead. The film resists a closed life narrative by negating a reductive assessment of one’s history.

‘Out of Place’ revolves around a fictional concept of escaping the earth. Surviving as Korean women, we try to escape with a novel voyage from this Earth to another planet. When the bizarre statistics on us gather on this new planet, the voices from the ones who breathe here with one another form echoes, which continue as a round. There, the voices that this society has taught about us, and the voices we speak out for ourselves, coexist like a twin. At the moment of those two voices intersecting and colliding with each other, an unexpected scenery could be found throughout this entire film.