Victoria Lagos

An essay on the existential actuality of the human being located in the Argentinean here and now. A history of singularities, which are mostly traversed by violence and marginality.

In Exomologesis, the filmmaker and poet César González set out to show the consequences of a society governed by obedience and the consequences of this in times of neoliberalism. Unlike his previous films, in color and with many scenes shot outdoors, this is a black and white film that takes place in a two-room apartment, which allows us to see that an office can also be a closed institution.

A filmmaker travels around time and space through the magic of montage, developing a conflict created by the gathering of different moving images he recorded with his girlfriend, making a love story given only by the love to cinema.

Alma wanders through the streets of Buenos Aires with tranny rage and wit while the city walls tell of the struggle against the patriarchy and the IMF.

Persephone is released from prison after three years. Returning to the neighborhood will present him with a new hell. Without a job, she gets the help of Juana who shelters her in her house and with whom she looks for some changa to survive.