Roberto Jiménez

Toñi, an eccentric grandmother, gets by between failed businesses and a carefree attitude. Her daughter Daniela, a stressed executive and single mom, wants to keep her away.

A family of five living in 50 square meters without air conditioning on a scorching summer day decides that perhaps the best option is to stay overnight in the empty 'mansion' where the father works as a gardener.

Pavo 90 is a medium-length film whose extravagant characters (Robbie, Darret and Luisda) take the viewer by the hand during a nostalgic trip through the Marabina (lol) society of the nineties, a trip during which our festive protagonists consume stuff, enjoy and spank next to a cassette new kids on the block in the repro of their Sierra Safiro, they pass daddy's American Express and venture into the vibrant Zuliana nightlife in the incessant search for a cuquita in which to wet their unruly glans

Carlos and Toñi live in a tiny apartment in a marginal neighborhood. They have not been able to pay their rent for months, the power is cut off quite often and they survive by collecting scrap metal. Now the day has come when Henrik and Jens, two Danish tourists willing to spend a day with a poor family, come to meet them.

Caronte will make us think about justice, presumption of innocence and truth. It also talks about second chances and how a man is able to reinvent himself and get his life back together. The different cases will not only influence Caronte's personal life, but, episode after episode, will make our protagonist evolve and grow.