Mariana Erijimovich

A critical memoir about revolutionary violence in Argentina in the 1970s.

A librarian founds a copy of the fabled Necronomicon, only unleash hell on earth.

A portrait of Javier Urondo and his discomforting, sharp and provocative take on the act of serving food. Paco Urondo, his father, was a distinguished poet and political activist, murdered by the military dictatorship in 1976. This is the story of Javier, of how he maintains the Urondo Bar, a restaurant in a Buenos Aires suburb, from where he lends new meaning to a legacy and a belonging and turns them into an act of resistance. A film about food as a source of culture and family.

A taxi-boy breaks off his relationship with his girlfriend and begins a self-destructive love affair with another young man.

Chile, September 1986. Tamara, commander of the communist guerrilla group Manuel Rodríguez Patriotic Front, and her comrades-in-arms set out to overthrow the military regime installed in 1973 by assassinating the dictator Augusto Pinochet.

In Rivera 2100, a corner house facing a railway’s warehouse in the suburbs of Buenos Aires, a young newlywed couple built, with its own hands, a house that was the beginning of their own cultural zeitgeist; a safe haven that irradiated music, art and freedom, in the midst of a country that was living its darkest and most violent time.