Wai Nap Wong

Still Life (2024) is a self-reflexive documentary and intimate portrait of renowned self-taught painter Yeung Tong Lung (b. 1956, Fujian), best known for his large-scale figurative paintings that capture daily life in Hong Kong’s busy urban landscape. With a cinematic quality, Yeung’s paintings compress multiple perspectives and spaces into one canvas, coaching his audiences in different ways of seeing. The film follows Yeung over a three-year period, including his preparations for his 2021 solo exhibition Daily Practice at Hong Kong’s Blindspot Gallery.

McDull: The Pork of Music is virtually a musical, describing how the kindergarten, now destitute in HK's depressed economy, forms a student chorus to raise operating funds. The choir, of course, becomes wildly famous, and, guided by shady manager Big M (Ronald Cheng), reaches the apotheosis of HK culture: on stage with superstar Andy Lau.

When Chan is diagnosed with terminal cancer, he decides to end his own life, but his grandson unexpectedly brings him an abandoned old dog. The encounter cannot change their destinies but allow them to accept changes that inevitably happen.

This is the first referendum held in Hong Kong and probably the last. Some people want to grasp the chance to directly participate in the democratic process. They try in various ways to push for greater democracy in society so that the people can become emancipated.

Set in Hong Kong, Eya is a shy teen who takes writing as a way to escape alienation, bullying and loneliness. On the school fun day Eya remains silent in the interview, but she is not the only one who finds life is too hard to bear. Everything is changed that morning.

Hong Kong, twenty years later. The city is a perpetual construction site where the wheel of development must turn to build more shopping malls and higher residential towers. Enter members of the all-girl pop sensation, Heartbeat 48, an ever-expanding army of eco-warriors who are tasked with checking the heartbeats of centuries-old trees and villages and losing no time to pronounce their deaths. When Doy, an internet nerd and one of the few surviving village natives, is transported from the past into the fanciful realm of cute tutu outfits dresses, toy stethoscopes and hugging farewell routines – all staged for the benefit of the camera – he gets trapped a nightmare he can’t wake up from.

Hongkongers have been experiencing extremely difficult times due to the political movement caused by anti-Extradition Bill since the summer of 2019 followed by the COVID-19 pandemic. This film explores Hongkongers’ fear in various dimensions, be it a concept or actual physical experience, personal or political, private or public, or the mixing of these pairs.

Fong Ka-Man, has been leading a middle class lifestyle. One day, during a heavy rain in the dusk, bearing the fear of illness, she is unwillingly staying away from the rain inside the tunnel. She first encounters a weird tramp, and then a young farmer who is rushing to deliver his harvest. It’s about how the “normal” passes by the “abnormal”. What makes them “normal” and “abnormal” seems to be realistic, but maybe it is just a void. Fong Ka-Man is anxious to find an exit from the difficult circumstance, but accidentally she finds out that what she yearns for is the disappeared end of this city.