Natalia Labaké

A group of Slavic immigrants is chased in Mar del Plata by the Buenos Aires Police’s intelligence services during the International Film Festival. The city hides the memory of the cultural vigilance that took place during the sixties. The archives, secret and confidential, are read by unrehearsed guardians of their declassification.

Florencia “Hana” Ciliberti converses with her contemporaries at her workshops. From closeness and humor, she builds a narrative about music in visual art in Argentina, alternating testimonies, music videos, performances and archive material.

As the day begins, a woman sets out to go about her routine, until she decides to take her children to the cemetery to see zombies. When she returns home, this interruption in her day will leave her with a strange and magical feeling.

Back in the ‘90s, the wife of a Menemist politician recorded her husband’s public and private life on video. In this rigid, patriarchal family’s present day, Agustina and her aunt Bibiana build a story based on mystique and disenchantment, with tensions and silences that oscillate between love and power.

Argentina, 1968. In the midst of the Cold War, the dictatorship of Juan Carlos Onganía (1966-70) organizes the 9th Mar del Plata Film Festival in order to show the world its friendly face, while exercising censorship and repressing dissidence.