Goliarda Sapienza

A troubled and neurotic Italian Countess betrays her entire country for a self-destructive love affair with an Austrian Lieutenant.

In ancient Rome a love story blossoms between Fabiola, daughter of a senator, and Rhual, a Gallic gladiator. After Fabiola's father is killed, the Romans blame the Christians and the persecution begins. Rhual confesses to being a Christian, is accused of the murder and sentenced to fight to the death in the arena.

Six vignettes explore love and desire in Rome, from prostitution and heartache to unwed motherhood and the male gaze.

A number of different segments taken from 19th century Italian stories.

A struggling model concocts a story of being raped and beaten by three strangers and soon becomes a media darling. Complications arise when the police eventually arrest three suspects.

A group of rich young intellectuals hiding from the war in rural Italy play at being partisans when some disbanded soldiers and some refugees ask them for shelter in their villa. The young and aristocratic Andrea strikes up a friendship with a peasant girl, Lucia. Then the Germans suddenly appear, looking for the real partisans, and the time comes for serious decisions.

Middle class Sandra, engaged to be married and living in Turin, searches for her missing sister that is estranged from her family. For this, she enters the morally degraded back allies of the port city of Genoa and is exposed to the world of sex trafficking.

Hoping to shake up the complacent Italian Communist Party, a group of leftist radicals sends an incendiary letter to a major evening newspaper declaring their intention to volunteer to fight American troops in Vietnam as a political statement against the war.

'The subject of this film is the conversation between a man and a woman. A couple, maybe lovers, maybe married, it doesn't matter. (...) During this conversation, we do not see but the city of Rome. I wanted to transmit that what Rome provokes in me, the feeling of an intrinsic matter, indissoluble, in difference with Paris, made of small parks and open spaces, crossed by the sky and the wind. Hand in hand with the film, the difficulty of the two lovers assumes a clearer, more explicit form. But as much as, in my opinion, it is impossible to describe and film Rome, the difficulty in the love of a couple can never be totally understood.' - Marguerite Duras, Venice film festival catalogue, 1982.

Born on the 1st of January 1900 in a poor family in rural Sicily, Modesta pursues happiness since her childhood without falling victim to the constraints of society. After a tragic event that takes her away from her family, Modesta is welcomed into a monastery, where she becomes the Mother Superior’s protégé thanks to her intelligence and stubbornness. Later, she arrives at the villa belonging to the Princess of Brandiforti, where she makes herself indispensable. This relentless process of emancipation goes along with a journey of personal growth and sexual awakening, which lead her to discover and claim the right to pleasure and happiness.