E.W. Emo

The film is an adaptation of the 1891 operetta Der Vogelhändler by composer Carl Zeller, with libretto by Moritz West and Ludwig Held, though it incorporates few of the original songs, using them mostly instrumentally or in the background. The plot follows Adam, a Tyrolean bird seller in 18th-century Rhineland, who hopes to marry his beloved Christl, a postmaster's daughter; to secure his future, she arranges for him to perform at court, but complications arise when she is mistakenly suspected of an affair with a philandering prince.

Klementine Plamershof is a fun-loving young woman. She has long been “confined” to a girls’ boarding school, where she is studying music with growing reluctance.

A classical art junk dealer and an almost bankrupt hairdresser who unexpectedly makes an inheritance go hunting behind thirteen chairs from which of a 100,000 DM contains which the rich aunt has hidden there.

Jenny confronts her cousin Harry: Did he embezzle her fortune? No. But he escapes with married lover Germaine only to return quickly because her husband pursues them. Jenny is convinced Harry is his own double and arrests him at gunpoint.

Composer Franz Schubert becomes involved with a family with three daughters, falling in love with the two blonds, first one, then the other; but will he notice the quiet brunet third daughter, who has fallen madly in love with him?

On the occasion of a charity ball in Vienna a kiss of a famous actress should be auctioned. Misunderstandings between the manager of the film star, a record producer and a student lead too all kinds of mistakes, during which a student is mistaken for a prince in disguise and almost breaks his hapiness. - Quickly and expertly produced mistake comedy with a lot of singing desposits and an at than popular comedian line-up, which offers amusing surface entertainment.

Vienna, around 1900. The master baker Streussler’s most ardent wish is to see his daughter Nelly as a student at the university. With the help of his famous “streusel cake” he succeeds in luring all kinds of helpers for this endeavor into his house. But Nelly has entirely different plans: she is in love with the chimney sweep Heinz, the son of a neighbor, with whom Papa Streussler has been fighting for years. So it’s no wonder then, that the grump confectioner is doing everything he can to break up the relationship.

A young painter in the academy hires as a model the daughter of a rich soap manufacturer and has her pose for a work based on the biblical Susannah and the Elders, which almost causes a scandal.

Absurd mistakes arise when the passengers of a burnt down sanitarium are quartered at a hotel. -Humble-tumultuous comedy with situation joke and proven comedians.

Johann Strauss firmly established himself as the leader of a dance orchestra in Vienna in the 1840s. His sons Johann junior and Josef have clearly inherited their father's talent. Nevertheless, father Johann is strictly opposed to both of them training as composers.

For three difficult orphans living by her aunt the former employee of the family searches a new premouth; he releases with it a result of tumultuous involvements. - Humble-entertaining mistake farce, completely fitted on Hans Moser.

A film for scatterbrains. Everyone's constantly forgetting something – the daughter the little dog, the father the files, the chauffeur forgetting to close the roof of his taxi when it's pouring rain and his passenger gets soaked. Everyone rushes through life and doesn't even have time for themselves. Then a "young" student (Hans Söhnker) returns to his hometown. He receives a lavish welcome and, at 34, is probably one of the oldest students in German film history. He has three fathers who support him financially and studies on their money. Interminably. Now he has to accept that his fathers have run out of money for his studies. So he rolls up his sleeves, forgets about the expensive degree, and switches to a trade. He does hair, he drives, he assembles film, he shaves, and he pins seams. There he meets a young lady, has time to serenade her, and then learns that his biological father is a millionaire, who now lends him a hand and distributes cash to the other cash-strapped fathers.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

Herr Eickmeyer is a wealthy parfumier: well past middle age, and stout with it. His blonde wife Lissy is much younger, pretty and vivacious. Since Eickmeyer can't keep up with his young wife, he commissions a companion for her in the form of a life-sized talking clockwork man, purchased for 5,000 deutschemarks ... to be shipped to his home immediately it's assembled.

Dan Douglas is a typical Scottish. When his niece Evelyne marries engineer Fred Keller aboard the ship to Scotland, he gives her a pearl necklace as dowry, but it's false. The newlyweds face their differences when the necklace gets lost.

Newlyweds Käthe and Max met while studying law. Trouble ensues when Max takes on his first case without telling his wife.

Mathilde Kratzer owns the entertainment venue "Bei Mathilde" (At Mathilde's). Her roommate Max also has a financial stake in the establishment, but only as a silent partner, which is why he works either as Mathilde's servant or as the bouncer. He would love to rename the venue "Bei Max und Mathilde" (At Max and Mathilde's), but Mathilde would rather return his investment. Because she can't afford to do so, Max is in financial trouble and is being relentlessly pursued by the tax authorities.

A moron buys a worthless piece of land, which a swindler passed off as an oil field.

A hilarious comedy of errors starring Dolly Haas: Annie, the locksmith's daughter, and Georg, a car salesman, meet at the fair but quickly lose touch. Later, Annie is tasked by her father with delivering new locks to a countess's castle. At the train station, she is mistaken for the countess's niece, whose arrival is imminent. She is taken to the castle in a magnificent carriage and encounters Georg again, who is out for an unauthorized joyride in a stylish car. Each now believes the other to be extremely wealthy. When the real countess arrives at the castle, she enjoys playing along with the charade and poses as her own companion, with whom Count Egon falls in love. After the confusion is resolved, there are two happy couples.