Manuel Embalse

According to the myth still in force in the coal towns of Patagonia, if a woman enters a mine, the earth becomes jealous. Then, there’s collapse and death. Shady River starts from a dark personal experience to transform in a film about the silence of women who live in men's villages. How to film where our presence is prohibited? How to record the resonances of what doesn’t sound? As the fog and smoke from the power plant cover the town, the voices of the women of Shady River force their way between the white of the ice and the hum of the drilling machines, until blowing up the structure of silence.

The filmmaker decides to make a film in an attempt to remember a dream from his notes: at the crossroads of essay and diary, the film offers a sensitive investigation into the relationship between dreams, animals and the city.

Juan and Luciano find out some girls are staying in the neighboring house and decide to spy on them. The girls play hide and seek and start changing. When they realize they are being watched, they will try to capture the boys.

There is a monster in Lake Nahuel Huapi. At twilight, it spreads across the surface of the water like a taut cowhide, grabbing its victims with sharp claws. Another monster also lurks around the lake, near Bariloche, in the Argentine Andes.

The Antes Muerto Cine collective presents an episodic film about nature, technology, politics, violence and affection; about times past and times to come, from the noisy, angry, rebellious present. Rather be dead than policemen, than defeated, than...

A ship is shipwrecked on a desert island in the Río de la Plata. One of the crew, without name or age, wanders through the ruins of a city project that was not. The voices of the original spirits guide him through the territory, making the formation of the Argentine State emerge from the shadows, in the years of the Conquest of the Desert. How to find in the roots of the trees the memory of a place?

One day, I found a box in the trash with super 8 cartridges and a book entitled “Catalog”. The images could be from a cameraman of the past or the future. What would happen if someone found my life in a SD card in a pawnshop? What would my catalog of images contain? Cities, nature and a diary of a digital memory.

This fully archival journey through the 35 years of Alfredo Stroessner’s regime in Paraguay reveals unseen footage and explores one of the longest-running dictatorships in history, whose effects still resonate today.