Anthony Sahyoun

Across three decades of passion, loss, and hope, Nino and Yasmina are bound by a magnetic relationship. Torn between love and survival, they must decide whether to build a family in Lebanon or leave their home despite tragedies.

The Karantina Hospital houses one of only two paediatric departments in Lebanon. It is a safe haven for ill babies unable to get treatment elsewhere. In 2014, this ward was established via the charitable work of ASSAMEH Birth & Beyond. Sadly, on the 4th August 2020 the hospital was badly damaged in the Beirut port explosion forcing it to shut down and relocate to a temporary location. This short film takes us into the hospital a couple of months before the explosion to meet the staff and volunteers who work tirelessly to help sick and vulnerable children. Through their struggle and dedication, we see the fragility of the Lebanese healthcare system in relation to its weak economy and precarious work force as well as the altruism of the Lebanese people, offering glimmers of life to ill, sometimes neglected and hopeless, babies.

An unexpected text message interrupts Samer's unusual dream. The message says "I KNOW EVERYTHING". Helplessly, Samer tries to track down the number of the unknown sender throughout the night Is he scared of revealing something he did? Don't we all have something to hide.

On August 4th, 2020, the catastrophic explosion at the port of Beirut leaves a large part of the Lebanese capital in ruins. In the midst of the chaos, a troubled film crew face an overwhelming decision: to continue the production of their movie or abandon it? As they face the aftermath of the catastrophe, they are torn between their firm belief in the transformative power of cinema and a deep sense of cynicism about its ability to effect change in a nation plagued by economic turmoil and societal collapse. Dancing on the Edge of a Volcano chronicles their struggles and highlights the crew's resilience as they strive to find meaning and purpose in their work amidst the devastation.

An Arabic-language opera about mourning and inherited trauma. Performed by Palestinian soprano Nour Darwish, it fuses Mahler’s Kindertotenlieder with Masha’al, a traditional Palestinian song.

Sief is a conman who is hired by the beautiful rich woman, Hala, to help her get her money back from another conman. Their relationship gets them entangled in a web of deceit as they start questioning their stances regarding love, friendship, and the meaning of life.