Randy Carter

In the continuing saga of the Corleone crime family, a young Vito Corleone grows up in Sicily and in 1910s New York. In the 1950s, Michael Corleone attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Two closely-bound, emotionally wounded siblings reunite after years apart.

A tale of two hustlers trying to set up a big game.

Opening in a Hollywood parking lot on New Years Eve as a crowd gathers around an ambulance as a guy is being loaded in on a gurney, the story is told in flashback by one of the characters to a female detective who comes on the scene of what may have been an attempted suicide and he unravels the story of a year in the lives of 6 guys who hang out in a blues bar in Hollywood, watch sports, trash talk, and bitch about their lives, as they go through problems ranging from construction nightmares to divorce, gambling addiction, alcoholism, child custody fights, and all the headaches and heartaches men go through in the course of their lives. As the story unfolds, the audience is left wondering which one of these guys ended up in the ambulance, and why. The blues soundtrack is true to the nature of the music itself, and to the movie, as it's about heartache and longing, loving and losing, striving and failing.

When crooks set up operations in a traditional town, a minister and a group of church ladies are willing to do anything, no matter how wacky, to get them out.

A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.

The off-kilter, unscripted comic vision of Larry David, who plays himself in a parallel universe in which he can't seem to do anything right, and, by his standards, neither can anyone else.