Murilo Salles

After the death of her handsome but good-for-nothing husband Vadinho, Flor, a widow, marries Dr. Teodoro, a respectable gentleman. Hilarity ensues when Vadinho's spirit returns into her life.

Camila is in her mid-twenties and her life has been thrown into chaos ever since her boyfriend threw her out of their apartment during a bitter argument. Camila's ambition is to become a writer, and she posts regularly on her blog, entitled "Camila Jam." However, Camila wants to take her work into a different direction, and she throws herself head first into life in search of inspiration. As Camila struggles with alcohol, unsettled emotions and relationships with abusive men, it becomes increasingly obvious that her skills as a writer aren't all she needs to sort out if she wants to truly understand her life and her career.

When a pedestrian is hit by a bus, the simple clerk Arandir runs and kisses the moribund in a gesture of sympathy and unconditional pure love. Opportunist photographer Amado Pinheiro witnesses the scene and sees the opportunity to sell newspaper and, together with the despicable and abusive chief of police Cunha, accuses Arandir of homosexuality.

During the military dictatorship, a political militant takes his son out of the boarding school, and puts him temporarily in a friend's luxury and empty apartment in Copacabana beach. The son knows very little about his father, and the latter cannot really explain his activities to his son, fearing for his security. So the young man stands alone in the huge apartment, waiting for the infrequent meetings with his father, without really knowing what's going on.

Paulo (Pedro Brício), a publicist of Rio de Janeiro, moves to Brasília (capital of Brazil) to be the manager of the public image of a senator who wants reelection. Paulo is accompanied by his wife, Cris (Cintia Rosa), a journalist with whom he has a small daughter. But their relationship is not moved by love, they are only together for the girl, the result of an unwanted pregnancy.

Two children flee together with a grown up from a slum in Rio because this man had problems with the local drug lord. They end up in the house where a rich American citizen lives with his daughter.

Paulo is a rich lawyer who has a happy and comfortable family life, with his kid and very loyal to his wife. But when he finds out that the woman is cheating on him with his business partner and best friend, he decides to execute a perfect plan that involves murdering both and easily getting away with murder. However, Paulo's plans are about to be ruined due to some unpredictable factors involving powerful people, plenty of money, the kidnap of his son and a tenacious inspector following his steps.

Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.

An adventurer travels by train through the Brazilian state of Minas Gerais, meeting old and new lovers and remembering love affairs of his youth.

The fictional encounter in Rio de Janeiro, Brazil (in the 30s) between popular songwriter Lamartine Babo and inconoclast poet and playwright Oswald de Andrade.

After the collapse of their relationships with other people, Maria and Paulo embark in an intense relationship in order to shield themselves from loneliness.

A 10-part documentary about 10 Brazilian filmmakers: Linduarte Noronha, Jorge Furtado, Ruy Guerra, Murilo Salles, Paulo Caldas, Walter Salles & Daniela Thomas, David Neves, Julio Bressane, Ana Carolina and Carlos Reichenbach.

For just over an hour and a half, Two Billion Hearts takes the viewer back to the adventure of the world cup of the United States and packs the audience on a journey through emotion, the expressions of their protagonists, fans in the stadiums and in the streets to the stars on the lawns, the cameras walk an uneven and vibrant path to world history. Two Billion Hearts is much more than the official World Cup film in the United States, it is a journey, for the passion of football, for the soul of the fans, for the feat of their idols. The film shows the best moments of the Cup and accompanies the Show of the fans of 24 countries in the United States, where more than 300 thousand football lovers traveled around the world

The seamstress Manuela, Tati's single mother, moves from the suburbs to Copacabana but faces severe financial difficulties. A friend of Manuela's sometimes fills in for Tati's father, giving the girl temporary happiness.

The story of the relationship between Military Police commander Domingos Macedo and his children over three decades. Raised in a toxic family environment, the children struggle to survive the rigid rule of a man forged by the brutality of the Military Police. Flávia learns early on that defending herself is an act of rebellion and transforms fear into strength, until she manages, in her own way and by her own rules, to challenge her father's power on the Andaraí favela (community).

After getting involved with an MTV VJ, a musician ends up being accused of setting up a robbery against her. To clear his name, he goes to São Paulo, but gets involved in situations that distance him from his peaceful life.

A German governess is hired to give German and piano lessons to the teenager son of a rich traditional family, in the 20s. But soon they get involved, and she teaches him love lessons instead.

The Baía de Guanabara is not just any bay: the metropolitan area of Rio de Janeiro has sprawled around it. Its waste water threatens the rich ecosystem, planes roar along the approach corridors above. These filmic explorations on the margins of the megacity portray various environments that are all connected to the bay in a specific way. The people here are micro-wage earners making a modest living.

Ox carts are still part of the landscapes of the Brazilian badlands, in a mixture of usefulness and poetry. Filmed in Volta Grande, in the Zona da Mata mesoregion of Minas Gerais, it was Mauro's only film in color and also his last.

On the life and poetic works of AUGUSTO DOS ANJOS, based on research conducted and material gathered from Glória dos Anjos, his daughter. Screened at the 3rd Brazilian Short Film Festival (Rio de Janeiro, 1973).