Diego Fasolis

At the Festival della Valle d'Itria, Antonio Vivaldi's opera Orlando Furioso. Orchestra I Barocchisti, conductor at the harpsichord and music director Diego Fasolis.

Vivaldis Orlando Furioso was chosen to open the 43rd Festival della Valle dItria. This baroque opera is a true feast for the senses, with peaks of sheer poetry and a sense of wonder. Director Fabio Ceresa was clearly inspired by the works of Gustav Klimt, both for the setting and the costumes. Conductor and Continuo Diego Fasolis leads the excellent Barocchisti ensemble with an elegant touch, and an unfailing ability to fully convey the musics nuanced coloratura. The production was very well received, with the cast highly praised by audience and critics alike. Sonia Prina proved highly convincing in the title role, both for the quality of her voice and for her outstanding acting skills - a true 'ba-rock star'. Lucia Cirillo (Alcina) was complimented by Bachtrack for her 'flawless coloratura and virtuosity in ornamentation', while Riccardo Novaro (Astolfo) displays a stylish poise and vocal warmth.

Part of the celebrations for the 150th anniversary of the death of the Pesaro composer, Il Barbiere di Siviglia staged in Lugano, is the result of a virtuous collaboration that involved Swiss Radio and Television, LuganoInScena and LuganoMusica. The musical part was entrusted to Maestro Diego Fasolis who, together with his Barocchisti ensemble, was involved in the project from the very beginning. Internationally renowned soloists such as Edgardo Rocha (who embodies the Count of Almaviva), Riccardo Novaro (Bartolo), Lucia Cirillo (Rosina), Giorgio Caoduro (Figaro), Ugo Guagliardo (Basilio) and Alessandra Palomba (Berta) performed on stage.

La serva padrona, or The Maid Turned Mistress, is a 1733 intermezzo by Giovanni Battista Pergolesi (1710–1736) to a libretto by Gennaro Federico, after the play by Jacopo Angello Nelli. It is some 40 minutes long, in two parts without overture, and was written as light-hearted staged entertainment between the acts of Pergolesi's serious opera Il prigionier superbo. More specifically each of the two parts, set in the same dressing room, played during an intermission of the three-act opera to amuse people who remained in their seats.

In the Romanesque church of San Biagio, in Bellinzona, Ticino, Swiss conductor Diego Fasolis leads a superb version of this early work by Giacomo Puccini.