Ramy Moharam Fouad

GRACE

Short film on Jan-Jan Van Essche’s COLLECTION#11 - ’GRACE’ (SS21)

Till I Return

"Till I Return" follows the adventures of a young man who has to leave for the front in twenty-four hours. The story takes place in the near future

CYCLE

As we, the world and all creation are experiencing a collective transition, a new future awaits us all. Space & time become utter necessities for the acceptance of a new state of being, while our wounds slowly heal. In all humbleness, the CYCLE collection offers an alternative to help us through the now. A bright red, encouraging life force and passion for creation... an ode to love. Smoothly textured fabrics with soft caresses, sensible colors chosen to highlight the new cycle we are entering. The elements are in constant rotation.

ZEAL

With COLLECTION#13 - ZEAL the designer wants to send out a message of encouragement, starting with a note to oneself. A motivation to lift up the spirit, to reawaken dormancy and to find strength and perseverance from within. A spring & summer wardrobe of individual garments; each sheltering one’s core with the utmost tenderness.

A HORIZON

PROJECT#10 - A HORIZON is an attempt to create, while clearing the mind of obstructions and merely trusting the unknown. Trying to overrule distortion and to rise above the unnecessary noise, longing for a new paradigm; a contemporary way of understanding the whole and each other. Breaking through prevailing conditioning that limits the exploration of what we no longer perceive and desperately seek to re-establish.

SUNU

SUNU is a collaborative fashion short film on the new AW21 Project#9 SUNU from Antwerp based designer Jan - Jan Van Essche. The collective idea SUNU, meaning ‘our’ in the Wolof language, summarizes the sentiment of unity, fragility and inclusive interconnectivity. A sense of responsibility towards each other and what surrounds us. A solid bond, a strong connection, which needs to be cherished and praised but simultaneously guarded.

Nasayan

Nasayan (نسيان): "To forget//When one finds himself between two stages, not knowing what the future may bring."

Cowboy

COWBOY is a film that questions masculinity today, has masculinity been changed over the years? Is the idea of masculinity still the same? The film uses the most cliché "manly" characters in film history, cowboys and follows them as they wander through Brussels.