Iris Baglanea

A family of four lives isolated in a wetland. Their home is surrounded by water and vivaria. The children are playing outdoors, the mother is trying to preserve their innocence, and everyone is walking a fine line between the arrival of the third child and the impending death of the father.

Giannis and Paris celebrate the Day of the Dead, also their anniversary, at their Latin American café-teatral. A crossroad where beloved people meet, lonely next door people, strange travellers. Their stories are intertwined, the past meets the present, music and dancing transform reality. As the night falls and the celebration reaches its ecstatic peak, the café becomes a small Arc, travelling beyond space and time, filled with memories, wishes, and revelations. 50 actors, musicians and dancers take part in the film.

Sick of his own face Sick of his skin, of the dark, He crawls outside himself To sing.

In the near-future metropolis of Athens, suicide is illegal and citizens have no other desire but to die. Following the film’s heroes to their chase of one last desire, a great deal of tragicomic surprises come the way.

Ira lives with her family at a remote location within Greece. She will face one of the strongest experiences of her childhood during a “training” session with her father, who has a very specific view for life.

The empty streets of Athens on a Monday evening. A girl returns home from work. A pair of stuffed animals left on a dumpster. An omen? Out of nowhere, a casual encounter with a homeless girl leads to an unusual invitation. A goldfish shows the way to freedom. Who is the savior and who wants to be saved?