Pierre Amzallag

In colonial Vietnam, dashing French naval captain Jean-Baptiste, wealthy plantation owner Éliane Devries, and her adopted Vietnamese daughter Camillevare form the three points of a cross-cultural romantic triangle. As the struggle against European imperialism sweeps Indochina, Jean-Baptiste and Camille have to choose sides and Éliane faces the emotionally difficult challenge of raising the child of her daughter and ex-lover.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.

A has-been French filmmaker wants a Hong Kong actress to be the heroine in a rendering of Les Vampires.

Lola is an independent woman, a professional writer with 2 men on a string. Both men are married with children. When the men, and Lola, face having to make choices, Lola's comfortable life becomes less appealing.

A story is about young teenage girl, with sister and brothers, a pleasant uncle and aunt, an annoying nanny, a young boy interested in kissing her, a close relationship with the imaginary addressee of her daily diary and her parents' disintegrating marriage - all this in a rented house in a summer resort.

Passionate about the singer Elvis Costello, Ulysses works every Saturday at a gas station in the middle of nowhere to pay for his meteorology studies. Shy and suffering from stagnation when confronted with a conflict situation, he does not respond to the insistent advances of Marie, who lives across the street. At the same time, Anton and Mirek, two English gangsters, are combing all the gas stations in the area in search of a loot hidden in the toilets.

Suzy, a beautiful woman, is coming back to Paris to attend the funeral of her lover, a married man. Cecile, his wife, is holding Suzy responsible for his suicide. By finding Suzy in Paris, Cecile is trying to seek the truth by playing a psychological game on her.

Urbain Donnadieu's first love is money. It's also his second, third and fourth love. The only reason he married - a tax inspector named Fleurette - was to avoid a fine for tax evasion. For several years, he has been stealing money from his construction company and buying gold bars with his ill-gotten gains. His plan is to deposit all this wealth in a Swiss Bank, where neither his wife - whom he is about to divorce - nor the French State can get at it. Accompanied by his money-grabbing Granny Zézette, Urbain heads off for Switzerland, with his gold concealed in the walls of a model house on the back of a trailer. Unfortunately, his scheme is threatened by his wife and his embittered ex-chauffeur, who are determined to get his money at any cost...

Marie lives with Antoine, but while he is away she meets Paul, a filmmaker visiting from Canada. Paul is instantly smitten and wants her to marry him. She puts him off by saying that she and Antoine have decided to have a baby. When Antoine returns, he becomes vividly jealous of his girlfriend's chaste encounter, which provokes her into having an affair with Paul.

After seeing the initial passion and romance fade into a series of routine and boring relationships, Alexandre (Vincent Perez) concludes that romance ends when sex enters into a relationship. Determined to prevent this from happening with his latest love-interest—a sexy young woman named Fanfan (Sophie Marceau)—he decides that platonic love is the solution. Despite the wonderful, romantic, and inventive ways Alexandre finds for them to spend time together, Fanfan is left disappointed by his refusal to make love to her. Their exciting relationship becomes jeopardized by Alexandre's unwillingness to change his new approach to love.

Tunisian-Jewish businessman Alain Berrebi (Michel Boujenah) courts Ashkenazi princess Arlette Stern (Elsa Zylberstein). Her father David (Maurice Chevit) learns of the death of a rural Auvergne peasant who once hid David and his cousin Nathan (Felix Fibich) from the Nazis. Nathan is now a NYC diamond dealer on West 47th Street. David, Nathan, Arlette, and Berrebi head for the funeral in Auvergne. There they encounter the deceased peasant's son, Jean Bourdalou (Gerard Depardieu), who operates the family's restaurants in Paris. Arlette does a romantic take on Bourdalou, which sends the distraught Berrebi off to cry on the shoulder of his mother Gaby (Gina Lollobrigida). Back in Paris, Bourdalou and Berrebi make plans to open a trendy fashion restaurant in Manhattan.

Jean-Pierre Costa is a football manager upon whom fate appears not to be smiling. First, a friend, Annabelle, dumps a pet Labrador named Didier on him whilst she goes off to make a report in Los Angeles. Next, one of his star players is injured, leaving him one player short for a crucial match. As if things could not get any worse, Costa wakes up one morning to find that that Didier has been transformed into a man...

God comes to Earth in order to make a film.

Oulage has it all planned: New Year's eve, at the stroke of midnight, he'll finally kiss Brigitte, the girl he's madly in love with. That'll be the moment, because Brigitte is having a costume party. Oulage has it all planned—except for the fact that Brigitte has also invited a gang of truly parasitical friends: an old girl friend who never leaves Brigitte's side, a manic-depressive police officer, a paranoid psychopath, a cannabis-addict suffering withdrawal pains, a stunning Cuban woman on the prowl for immigration papers, and many others who do everything to ruin Oulage's life.

Adrien is a nineteen year old who has not seen his father, Clément, for four years. Adrien returns home and the two try to repair their relationship. Clément lives with Louise, a twenty-something woman who wants to be an actress. Adrien starts a flirtatious relationship with Louise, which strains his newfound bond with Clément.

Qui n'a pas connu le stress d'un déménagement ? Surtout quand on est un jeune écrivain comme Alain, sur le point de quitter une bonne maison d'édition pour écrire un sitcom pour la télévision, que sa femme est sur le point d'accoucher et de surcroît quand les déménageurs sont des Roumains qui travaillent au noir et qu'ils n'ont pas vraiment le sens de la ponctualité...

Bruno's girlfriend, who lives in another town, doesn't believe he loves her. Therefore, he decides to prove his love by doing something "crazy" and ends up hijacking a school bus full of children at gunpoint to go see her

This French farce chronicles one special day in the lives of a married pair of Parisian architects, Fabienne and Bruno, as they anxiously await the results of an important architectual contest they have entered. Unable to handle the stress of waiting, both turn to sexual liason's to ease their tension. Bruno ends up enacting a dark sexual fantasy with a stranger while Fabienne eventually succumbs to the advances of Bruno's friend Simon, a fortyish Lebanese businessman and part-time drug dealer. The comedy takes on overtones of psycho-drama when the contest winner announced and the couple discovers the truth of each other's actions. A cache of drugs, discovered in an apartment only adds to their troubles.

C'est une histoire d'amour banale présentée comme un match de foot ordinaire. Ce sont donc Thierry Roland et Jean-Michel Larqué qui commentent, avec leurs mots (d'amour) et leurs noms (d'oiseaux), la première année de vie en couple de Delphine et Yvan, filmés pas à pas, dans leurs ébats et leurs éclats.

Barnabé is dreaming, Antoine's complaining, Patrick's laughing ; 35 years ago he was doing the same thing in a short film by Godard.

Marc is in love with Lucien, who's in love with Suzanne, who's in love with someone else.

An outer suburb of Paris, 1972. Gilles and Christine, both sixteen, are classmates and lovers who have become frustrated with the aloofness of their families and the general monotony of their lives. When the pair are caught shoplifting, Christine's father ships her off to a home for emotionally disturbed children, temporarily putting space between her and Gilles. Luckily for them, though, she escapes and the couple contemplate running away together.

In this French crime film, set during the time of the Gulf War, an elderly German tourist is murdered in Paris by junk dealer Joseph Katz (Pinkas Braun), a friend of Paris detective Sam Bellamy (singer Patrick Bruel). Romantically involved with the victim's daughter Emma Guter (Isabella Ferrari), Bellamy covers up the crime he witnessed. Joseph then mysteriously vanishes, and Bellamy heads for Berlin where the victim's possessions are auctioned. After Bellamy finds the source of the well-hidden traffic in art stolen by Nazis from French Jews, he discovers a Nazi war criminal is blackmailing past associates. Incorporating background from journalist Hector Feliciano's Lost Museum, the film is adapted from Guy Konopnicki's novel, Pas de Kaddish pour Sylberstein (No Kaddish for Sylberstein).

In the morning, two friends, a producer and an actor, discover the corpse of a young woman who accompanied them the previous night. The shooting of the day is not going to go as planned at all.